Out in Theaters: ‘THE NEON DEMON’
Like the hackneyed runway model, 'The Neon Demon' is all external flash, little internal substance. For the most part. Aggravatingly vacuous but undeniably seductive, Nicholas Winding Refn’s hostile takedown of…
In-depth film reviews of current theatrical releases, rated A through F, from someone who definitely thinks he knows more about movies than you.

Like the hackneyed runway model, 'The Neon Demon' is all external flash, little internal substance. For the most part. Aggravatingly vacuous but undeniably seductive, Nicholas Winding Refn’s hostile takedown of…

CONCLUSION: A Neptunian pathos piece showcasing masterfully slick animation and plenty of good humor, 'Finding Dory' still can’t escape the grasp of ancillary, auxiliary storytelling. And for all its trying,…

'The Conjuring 2 'understands the virtue of patience in a way that most studio horror films do not and the result is all the scarier for it. Building on the…

Paying lip service to fans foaming at the mouth and flipping the general public the bird, 'Warcraft' is a profoundly dumbfounding clusterf*ck of fantasy derivation and nerd-centered jabber-mouthing. Wowing in…

A generally unpleasant experience from start to finish, 'Teenage Mutant Ninja Turtles: Out of the Shadows' applies an early stranglehold on the audience, smashing and bashing them with strobing lights,…

The Lonely Island find comedy excellence in ‘Popstar: Never Stop Never Stopping’’s sardonic song parodies but the trip from one performance to the next has an unfortunate tendency to flatline…

An imaginative and jet black adult dystopia, Yorgos Lanthimos’ 'The Lobster' balances nervous character study in with a screwy bizarro world. Proudly unusual, the mechanics of a world where being…

Whit Stillman’s ‘Love & Friendship’ is a savvy anecdote to the stuffy Victorian costume drama. Hysterical and unpretentious, Stillman’s adaptation of Jane Austen's work would make the author proud. Additionally,…

'The Nice Guys' is a nearly flawless seminar in action comedy as Shane Black schools the industry with righteous aplomb, paying lip service to its weathered idolatry with a sardonic…

'Money Monster' won’t change the genre or leave a lasting impact but as far as semi-disposal adult entertainment goes, Jodie Foster’s fourth film serves as a strong reminder that thrillers…