Fantastical ‘POOR THINGS’ A Madcap Adventure Through Self-Discovery

December 4, 2023 by Matt Oakes Posted in Most Popular, Out in Theaters Tagged Mark Ruffalo, Poor Things 5 Comments

As if involving the likes of Emma Stone, Willem Dafoe, and Mark Ruffalo in a Yorgos Lanthimos film wasn’t enough of a good thing, the delightfully madcap Poor Things treats viewers to the combined prowess of these actors, harnessing their considerable talents for a wickedly funny and fresh reimagining of Mary Shelley’s ‘Frankenstein’. Stone plays Bella Baxter, the creation of mad scientist Dr. Godwin Baxter (Willem Dafoe), who prefers simply to go by the modest moniker “God”. Lanthimos presents Bella Baxter, a dullard reanimated beauty, as a miniature study in maturation. Viewers are invited to observe her journey, witnessing her rapid learning and growth onscreen. From her awkward first steps through her unhinged sexual awakening and eventually onto self-discovery and actualization, Bella’s odyssey is a delightful mix of hysterical black comedy and a thought-provoking feminist manifesto on personal evolution and revolution. Read More

Fiery ‘SALTBURN’ Glows With Psychosexual Heat, Palace Intrigue

November 13, 2023 by Matt Oakes Posted in Most Popular, Out in Theaters Tagged Alison Oliver, Archie Madekwe, Barry Keoghan, Carey Mulligan, Emerald Fennell, Jacob Elordi, Linus Sandgren, Richard E. Grant, Rosamund Pike, Saltburn, Sophie Canale, Suzie Davies 3 Comments

In her second feature, writer, director, and producer Emerald Fennell digs her heels deeper into the themes of power dynamics and the consequences of privilege that she explored in 2020’s explosive Promising Young Woman, this time folding in palace intrigue by moving the action to the lofty estate of a family of aristocrats at the eponymous Saltburn. A decadent feast for the senses, Fennell’s sophomore feature calls to mind a tale as old as time framed through a modern lens: an unassuming Oxford scholar is allured by the corrosive power of wealth, finding himself sucked into a vortex of desire, greed, and materialism. It’s Fitzgerald’s The Great Gatsby with the hyper-modern visual high-shine of Euphoria and the cold calculation of a Bret Easton Ellis novel, plus a splash of the wealthy ennui found in a Sofia Coppola film. Read More

Off-Target, Annoying ‘NEXT GOAL WINS’ Misses Wide

November 7, 2023 by Matt Oakes Posted in Out in Theaters Tagged David Fane, Elizabeth Moss, Iain Morris, Kaimana, Michael Fassbender, Next Goal Wins, Oscar Kightley, Reviews, Taika Waititi 2 Comments

How far the once bright star of Taika Waititi has fallen. Just a few years ago, Waititi was amongst the freshest new voices in the industry, having cut his teeth with heartfelt and genuinely endearing comedies like Boy and Hunt for the Wilderpeople, as well as the sleeper vampire-comedy banger What We Do in the Shadows. His pivot to more commercial enterprises saw him direct a Marvel fan favorite in Thor: Ragnarok and earn a number of Oscar nominees for his Nazi satire Jojo Rabbit. His last few projects have been…less appealing. His return to the MCU with the fourth Thor film, Love and Thunder, was a true misfire, an early indication that the once-never-miss studio was on truly shaky ground, and his latest film, a half baked underdog sports drama once thought to have awards considerations, Next Goal Wins, has garnered the New Zealand native the worst reviews of his career. Read More

Bittersweet Symphony ‘THE HOLDOVERS’ Waxes on Holiday Loneliness

November 3, 2023 by Matt Oakes Posted in Most Popular, Out in Theaters Tagged Alexander Payne, Da’Vine Joy Randolph, David Hemingson, Dominic Sessa, Paul Giamatti, Reviews 3 Comments

Winter is coming. At an Exeter-esque New England prep school circa the 1970s, students ready themselves for Christmas break. All but a handful of Barton students anticipate time with family, away from the academic demands of their coursework and the prying eyes of their hawkish professors. A small collection of eponymous “holdovers” are left behind, stranded at the snow-bound school for various reasons, forsaken under the tyrannical cross-eye of Dr. Paul Hunham (Paul Giamatti). Amongst the abandoned is resident reprobate Angus Tully (Dominic Sessa), a whip-smart smart-ass who’s a bit of a loner and has a troubled home life. There to ensure the collection is fed during their holiday stint is cafeteria manager Mary Lamb (Da’Vine Joy Randolph), who recently lost her son, a recent Barton graduate, in the Vietnam War. Director Alexander Payne (Election, Sideways, Nebraska), working from a fantastic script from long-time TV writer David Hemingson, finds every avenue to make these characters collide, collude, and refract one another in a dizzying display of heart, humanity, and humor. Read More

Scorsese’s Osage Nation Crime Opus ‘KILLERS OF THE FLOWER MOON’ is a Sprawling Tragedy of American Indifference

October 17, 2023 by Matt Oakes Posted in Out in Theaters Tagged Killers of the Flower Moon, Leonardo DiCaprio, Lily Gladstone, Out in Theaters, Reviews, Robert DeNiro 5 Comments

Marty makes ‘em long. His most recent crime opus, Killers of the Flower Moon, based on David Grann’s 2017 nonfiction novel of the same name, explores themes that have long rumbled the conscience of the American auteur: corrosive greed, masculine rot, and the unsettling notion of violence as an accelerant for upward mobility. This time out, he’s dedicated 208 minutes (nearly three and a half hours, only a minute shorter than The Irishman) to telling this version of that story. That’s a full hour longer than Goodfellas, a movie that similarly deconstructed the idea of the American Dream and reframed it through the lens of rugged individualism, sickening violence, and moral decay, with startling clarity and explosive plotting. The result this time around, however, is a narrative that feels hazier in its execution, though no less lurid in its exploration of these enduring themes. By not framing this savage tale from the perspective of the affected indigenous people, Scorsese inadvertently echoes the same indifference he condemns. Read More

‘THE EXORCIST: BELIEVER’ Fails to Resurrect the Terror

October 4, 2023 by Matt Oakes Posted in Out in Theaters Tagged Ann Dowd, David Gordon Green, Ellen Burstyn, Exorcist: Believer, Horror, Leslie Odom Jr., Lidya Jewett, Movie Reviews, Olivia Marcum, Out in Theaters, The Exorcist: Believer 4 Comments

If there’s one thing an Exorcist movie, be it a sequel, prequel, remake or sequel, needs to be, it’s scary. David Gordon Green’s 50-years later requel, The Exorcist: Believer fails that most fundamental test. The very celluloid of William Friedkin’s The Exorcist hums with tension and terror – each shot more possessed with unspeakable dread than the last. It’s the original nightmare-inducing horror film, a palpable shock to the system that stands up half a century later. It’s especially remarkable when you consider the context: just five years earlier, filmmakers were ensnared in the strict confines of the Hays Code, a moral guideline that prohibited profanity, suggestive nudity, graphic or realistic violence, and sexual persuasions. The thought of a 14-year-old child actor old uttering lines like, “Your mother sucks c*cks in hell” was plain unthinkable just a few years prior. It’s also pretty unthinkable today. Read More

‘THE CREATOR’ Updates Humanity With Technically Brilliant Original Sci-Fi

September 28, 2023 by Matt Oakes Posted in Most Popular, Out in Theaters Tagged Allison Janney, Chris Weitz, Gareth Edwards, Hans Zimmer, John David Washington, Ken Watanabe, Madeleine Yuna Voyles, Out in Theaters, Reviews, Sturgill Simpson, The Creator Leave a comment

Good science fiction straddles the line between grappling with contemporary anxieties and reflecting on the essence of humanity, often through non-human characters. Movies such as Blade Runner, Ex Machina, Her, and even Terminator 2 explore the notion that our innate humanity transcends mere flesh and blood. Any truly meaningful exploration of humanity tends to exceed the boundaries of pure science and biology, delving into the metaphysical realms of the soul. Qualities like empathy, love, or even the ability to crack a good joke are as fundamentally human as opposable thumbs or the capacity to biologically reproduce. In one pivotal scene in Gareth Edwards’ stark and striking science fiction film The Creator, the best original sci-fi film in years, a group of American soldiers descend upon a village to extract the location of a concealed weapon. One of the soldier threatens to execute the dog of a trembling little girl unless she gives up information. It’s a stark reminder that humanity often eludes those who are, ostensibly, human themselves. Read More

‘DUMB MONEY’ A Meme Movie With Moderate Returns

September 18, 2023 by Matt Oakes Posted in Out in Theaters Tagged America Ferrera, Anthony Ramos, Ben Mezrich, Clancy Brown, Craig Gillespie, Dumb Money, Lauren Schuker Blum, Myha’la Herrold, Nick Offerman, Paul Dano, Pete Davidson, Rebecca Angelo, Reviews, Rushi Kota, Sebastian Stan, Seth Rogen, Shailene Woodley, Talia Ryder, Vincent D'Onofrio 3 Comments

The premise of Dumb Money is simple: slap an ensemble of human faces on the viral Game Stop stock story and run the highlight reel. The star-studded meme movie from director Craig Gillespie (I, Tonya, Cruella) effectively transports us to a not-so-distant past: January 2021. The pandemic was still in full swing, masks were mandated, the term “essential worker” applied to nurses and DoorDash drivers alike, and people were looking for something to root for. Enter Keith Gill (Paul Dano), aka Roaring Kitty aka DeepFuckingValue (DFV), a low-level financial analyst and hobbyist YouTuber who dumps his $53,000 life savings into GameStop positions and decides to tell the internet why. In turn, Gill starts a movement of retail traders who follow suit, looking to enrich themselves but also – and equally importantly – take down the proverbial man. Read More

Take a Delightful Sojourn Into Thespian Hilarity at ‘THEATER CAMP’

July 27, 2023 by Matt Oakes Posted in Most Popular, Out in Theaters Tagged Amy Sedaris, Jimmy Tatro, Molly Gordon, Nick Lieberman, Out in Theater, Review, Theater Camp 7 Comments

In the vein of the best Christopher Guest mockumentaries, Theater Camp delivers a laugh-a-minute exploration of the inner workings of a fictitious child actor’s summer getaway, firmly rooted in reality. Destined to become a cult comedy classic, especially amongst the performance-inclined, this feature-length adaptation of the short film of the same name is crafted with a deep understanding of the theatrical world. Co-directed by Molly Gordon and Nick Lieberman, both with theatrical backgrounds, the film expertly celebrates and satirizes the peculiarities of the theater world, infusing the humor with a delightful mix of specificity and personal touches. Read More

Nolan’s Three-Hour Biopic Opus ‘Oppenheimer’ is Not Da Bomb

July 19, 2023 by Matt Oakes Posted in Out in Theaters Tagged Casey Affleck, Christopher Nolan, Cillian Murphy, Emily Blunt, Florence Pugh, Josh Hartnett, Kenneth Branagh, Matt Damon, Out in Theaters, Rami Malek, Reviews, Robert Downey Jr. 2 Comments

Christopher Nolan, the revered father figure of Film Twitter Bros the world over, has made his Mank (or his JFK, depending on who you ask.) Much like David Fincher’s polarizing and 10-time Oscar-nominated biopic, Oppenheimer offers a sprawling and contemplative portrayal of technology that reshaped the world, all while navigating the invasive presence of McCarthyism in America. It presents a sprawling, intricately layered narrative reminiscent of a Russian Nesting Doll, with stories within stories and a dynamic interplay of multiple timelines, including both colorized and black-and-white sequences, complemented by an ensemble cast of A-list actors. Those who caught early screening have already flocked to Twitter to lob terms like “masterpiece” and “best of the century” at Nolan’s three-hour biopic about the Father of the Atom Bomb but, much like Mank, Oppenheimer sees a celebrated filmmaker delivers a work seemingly tailored for awards recognition, though very clearly near and dear to him, yet ultimately fails to ignite the explosive impact it promises. Read More