Every SXSW review on Silver Screen Riot.
America never got past its Salem period in Elle Calahan’s allegorical social horror movie Witch Hunt. The only difference is, in Calahan’s world, witches actually do exist. The United States is a perilous place for those magical few; the practice of witchcraft has been banned and is punishable by death; families of convicted witches are...
Andrea Riseborough may be our greatest under-appreciated actress working today. Delivering standout turns in indie favorites like Mandy, Possessor, and Birdman as well as leading Amazon’s excellent crime drama ZeroZeroZero, Riseborough has slowly proven herself a transfixing chameleon presence. A la the great Tilda Swinton, with whom she shares vampiric lily white skin and sharp...
Eco-horror is having a resurgence of late, as are psilocybin mushrooms as a visual language in film. Jaco Bouwer’s formidable woodland creeper Gaia fits snugly into a recent wave of psychedelic folk horror, a subgenre that binds Ari Aster’s Midsommar, Alex Garland’s Annihilation, Ben Wheatley’s In the Earth (a recent Sundance release that would make...
Hope is a hammer, Ady Barkan attempts to say. His tongue, lungs, and the rest of his body devastated by ALS (an incurable degenerative disease that paralyzes and eventually kills its victims), Ady tries again and again but just can’t get the words out to the audience of thousands gathered to hear the American healthcare...
In present-ish day Brazil, the fight for reparations for citizens of African descent reaches a violent impasse. Lawyer Antônio (Alfred Enouch) wants his government to impose equitable laws to atone for the nation’s past sins, chief amongst them slavery, but the fascistic government opts instead to offer a one-way ticket way “back to Africa” as...
Timing is a fickle thing and often means a world of difference. Timing divides those who murder the stock market and those that are steamrolled by it. It’s the difference between perfectly scrambled eggs and inedible burnt yellow mush. And in the case of recently broken-up Nick (Ben Coleman) and Leah (Ali Vingiano), bad timing...
SXSW has a history of bombast. What was once a modest Austin festival that celebrated the local scene, music, and emerging artists grew into one of the largest and most-attended festivals the world over. As crowd sizes grew so too did the prestige and scale of debuts with massive blockbuster movies like Furious 7 or...
Mean Girls meets Scream in Tyler MacIntyre’s trendy satirical midnight horror-comedy Tragedy Girls. Like Heathers for the social media age, MacIntyre’s coming-of-age serial killer misadventure satirizes iPhone-obsessed culture as two popular girls go on a killing spree in order to gain followers, accrue likes and establish a brand. A fucked-up ode to friendship first and foremost,...
A more lovable loser there may not be than Jake Johnson’s Eddie Garrett in Win It All. The 18th (!!!) feature from mumblecore originator Joe Swanberg, Win It All is the second “official” collaboration between Swanberg and Johnson, who paired up last year to middling success with Digging for Fire after previously working in a...
The great John Hawkes was relegated to character actor status for far too long. That wiry, weaselly-looking fella who’s cropped in all those movies and tv shows you love who you can never put a name to? It’s probably John Hawkes. In 2010, Hawkes received some long overdo attention with an Academy Award nominee for...