BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, October 27, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

SXSW

Every SXSW review on Silver Screen Riot.

SXSW ’24 REVIEW
SXSW ‘24: Crafty ‘SEW TORN’ A Choice Midnighter 

SXSW ‘24: Crafty ‘SEW TORN’ A Choice Midnighter 

Sew Torn, Freddy Macdonald’s crafty seamstress thriller told in three vignettes, calls to mind the Choose Your Own Adventure books popularized before the internet. Invariably, readers would determine which path their protagonist should take, with most roads leading to a less-than-fortunate ending. In Sew Torn, a pivotal decision takes shape when Barbara Duggen (Eve Connolly)...

SXSW ’22 REVIEW
SXSW ’22: Punchy ‘BODIES BODIES BODIES’ Subverts Slasher Formula

SXSW ’22: Punchy ‘BODIES BODIES BODIES’ Subverts Slasher Formula

Everyone’s always a suspect in any slasher movie worth its salt and that’s true up until the very last moments in Halina Reijn’s Bodies Bodies Bodies. The film, which stars a slew of established and rising talent in the form of Maria Bakalova, Lee Pace, Amandla Stenberg, Chase Sui Wonders, Peter Davidson, and a scene-stealing...

SXSW ’22 REVIEW
SXSW ‘22: Yearning Homoerotic Thriller ‘IT IS IN US ALL’ 

SXSW ‘22: Yearning Homoerotic Thriller ‘IT IS IN US ALL’ 

When out-of-tower Hamish (Cosmo Jarvis) gets in a head-on-collision with Irish teenagers Callum and Evan (Rhys Mannion), only the later survives. Reeling from the fallout, the unscathed Evan and banged up Hamish wind up in a complicated dance, caught somewhere between trauma bonding and flirtation in a film that’s slow to reveal its hand. Their...

SXSW ’22 REVIEW
SXSW ‘22: ‘LINOLEUM’, A Life from Orbit 

SXSW ‘22: ‘LINOLEUM’, A Life from Orbit 

Jim Gaffigan stars as astronomer and public television personality Cameron Edwin in Colin West’s science fiction-tinged festival dramedy Linoleum. A bodega-version Bill Nye, Cameron leads the failing daily children’s show ‘Above & Beyond’ which after years of existing in obscurity has been picked up by a major network. The rub? Cameron will be replaced as...

SXSW ’22 REVIEW
SXSW ’22: Self-Help Influencer ‘SISSY’ Canceled in Satirical Psycho-Thriller

SXSW ’22: Self-Help Influencer ‘SISSY’ Canceled in Satirical Psycho-Thriller

Bullied as a child, Sissy (Aisha Dee) thought she left behind her childhood name. She‘s Cecilia now and she’s a self-help influencer. Popular on social media under the handle “Sincerely Cecilia”, the trendy twenty-something shares glossy selfie videos about mindfulness and self-love, topics she actually knows nearly nothing about. Deep down, she’s a traumatized child;...

SXSW ’21 REVIEW
SXSW 2021: ‘SOUND OF VIOLENCE’ Is the Ultra-Campy ASMR Slasher You Didn’t Know You Needed

SXSW 2021: ‘SOUND OF VIOLENCE’ Is the Ultra-Campy ASMR Slasher You Didn’t Know You Needed

There is a scene early on in the absolutely bonkers horror camp-fest Sound of Violence where murderess-musician-mistress Alexis (Jasmin Savoy Brown) kidnaps a homeless man and rigs him up like an electric drum set. Part-hardware, part-flesh, done up as if Kevin Mcalester and Jigsaw were there to help perfect the evil mastermind mechanics. A meat...

SXSW ’21 REVIEW
SXSW 2021: Goretastic ‘JAKOB’S WIFE’ Is the Most Fun Vampire Movie in Years 

SXSW 2021: Goretastic ‘JAKOB’S WIFE’ Is the Most Fun Vampire Movie in Years 

According to Biblical etymology, the name Jakob as found in Genesis is derived from the word for “heel”. In Jakob’s Wife, the eponymous Jakob (Larry Fessenden) is indeed a heel; an old-fashion minister who looks down his nose at his parishioners and town’s hoi polloi and treats his wife as a subservient inferior. When an...

SXSW ’21 REVIEW
SXSW 2021: ‘THE FEAST’ Is Scrumptiously Unnerving Folk Horror 

SXSW 2021: ‘THE FEAST’ Is Scrumptiously Unnerving Folk Horror 

High in the Welsh hills, an elemental force awakens. This land is sacred and foreign; a far-flung neverland where verdant hills and the marble-mouthed language both prove striking and ancient. A place where helping neighbors lend a hand and whisper of mythical no-no’s. The first shot of Lee Haven Jones’ gothic folk horror juxtaposes man’s...

SXSW ’21 REVIEW
SXSW 2021: ‘HERE BEFORE’ A Tricky Psychological Thriller That Just Might Awaken the Undead

SXSW 2021: ‘HERE BEFORE’ A Tricky Psychological Thriller That Just Might Awaken the Undead

Andrea Riseborough may be our greatest under-appreciated actress working today. Delivering standout turns in indie favorites like Mandy, Possessor, and Birdman as well as leading Amazon’s excellent crime drama ZeroZeroZero, Riseborough has slowly proven herself a transfixing chameleon presence. A la the great Tilda Swinton, with whom she shares vampiric lily white skin and sharp...

SXSW ’21 REVIEW
SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

Eco-horror is having a resurgence of late, as are psilocybin mushrooms as a visual language in film. Jaco Bouwer’s formidable woodland creeper Gaia fits snugly into a recent wave of psychedelic folk horror, a subgenre that binds Ari Aster’s Midsommar, Alex Garland’s Annihilation, Ben Wheatley’s In the Earth (a recent Sundance release that would make...