SUNDANCE 2020: Character-Driven U.K. Horror ‘AMULET’ Takes Time But Packs Punch
Sundance 2020 movie review of 'Amulet' directed by Romola Garai and starring Alec Secareanu and Carla Juri.
SUNDANCE ’20 REVIEW
SUNDANCE ’20 REVIEW
SUNDANCE 2020: Benh Zeitlin’s Gritty Pan Redux ’WENDY’ A Gorgeous Hot Mess
Sundance 2020 review of 'Wendy' directed by Behn Zeitlin and starring Devin France.
SUNDANCE ’20 REVIEW
SUNDANCE 2020: Humanist Spy Thriller ’IRONBARK’ Is On a Mission to Move You
Sundance 2020 review of 'Ironbark' directed by Dominic Cooke and starring Benedict Cumberbatch.
SUNDANCE ’20 REVIEW
SUNDANCE 2020: Rebecca Hall Is Next Level Good in the Scariest Ghost Story in Years: ‘THE NIGHT HOUSE’
Sundance 2020 review of horror movie 'The Night House' directed by David Bruckner and starring Rebecca Hall.
SUNDANCE ’20 REVIEW
SUNDANCE 2020: Giggly Horror-Comedy ‘SCARE ME’ Finds New Ways to Tell Old Stories
Sundance 2020 review of 'Scare Me' written, directed by, and starring Josh Ruben.
SUNDANCE ’20 REVIEW
SUNDANCE 2020: ‘COME AWAY’ Scrambles Its Fantasy Fiction, Fails to Appeal to Both Adults and Kids
Sundance 2020 review of 'Come Away' from director Brenda Chapman and starring David Oyelowo and Angelina Jolie.
SUNDANCE ’20 REVIEW
SUNDANCE 2020: Well-Intentioned Slam Poetry Misfire ‘SUMMERTIME’ Has Zero Commercial Appeal
Sundance 2020 review of 'Summertime' from director Carlos López Estrada.
SUNDANCE ’18 REVIEW
Sundance ’18 Review: ‘TIME SHARE’
Hell is a timeshare. A designated parcel of property allocated to your family for one immobile week each year. A curated escape, one characterized by pool floaties, crawfish-colored sunburns and frozen cocktails melting in plastic hurricane cups, that lives in a state of semi-stasis. There’s a kind of “Twilight Zone” quality to the whole notion...
SUNDANCE ’16 REVIEW
Sundance ’16 Review: ‘THE BIRTH OF A NATION’
Nate Parker‘s The Birth of a Nation is an urgent primal scream from American history’s darkest hour. Parker produces, writes, directs and stars in this much needed telling of the trials and tribulations of slave-turned-revolutionary Nat Turner. The relatively well-to-do preacher’s eyes are open to a new interpretation of the good book when his master...
SUNDANCE ’16 REVIEW
Sundance ’16 Review: ‘COMPLETE UNKNOWN’
An old flame forks her way back into the life of a married man in Joshua Marston‘s mysterious and somewhat satisfying Complete Unknown. Marston struck a chord with debut Maria Full of Grace, which played Sundance 12 years ago, giving a drug mule a face in performer Catalina Sandino Moreno. With Complete Unknown, the Californian...