BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, October 27, 2026
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SUNDANCE ’26 REVIEW
‘UNION COUNTY’ A Maybe Too-Authentic Portrait of Addiction and Rehabilitation

‘UNION COUNTY’ A Maybe Too-Authentic Portrait of Addiction and Rehabilitation

Now available at home: Union County is available to rent or buy on digital. Originally reviewed at the 2026 Sundance Film Festival. Grounded in a lived-in addict experience, Union County, written and directed by Adam Meeks, is a stripped-down recovery drama anchored by a soft-spoken, quietly emotive performance from Will Poulter. Set in rural Ohio,...

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘THE GALLERIST’ is A Frenetic Art World Satire Hoisted on Its Own Petard 

Sundance ‘26: ‘THE GALLERIST’ is A Frenetic Art World Satire Hoisted on Its Own Petard 

Cathy Yan’s absurdist satirical comedy The Gallerist may attempt to be an on-the-nose skewering of the art world, but even committed performances from its all-star cast can’t make up for weak jokes and thin satire. Natalie Portman stars as Polina Poliski, an ambitious and unscrupulous gallerist who, in the midst of Art Basel Miami, is...

SUNDANCE ’26 REVIEW
‘TIME AND WATER’ Moves at the Pace of a Glacier, and Feels Just as Cold

‘TIME AND WATER’ Moves at the Pace of a Glacier, and Feels Just as Cold

Now streaming: Time and Water is streaming on Disney+. Originally reviewed at the 2026 Sundance Film Festival. Sara Dosa’s highly anticipated follow-up to Fire of Love arrives with the same promise of poetic science-meets-humanity. But where her debut doc was incandescent, this one plays like a glacially paced elegy that mistakes lyricism for emotional pull.

SUNDANCE ’26 REVIEW
Sundance ‘26: ‘THE LAKE’ is a Dire Warning of an Impending Environmental Meltdown

Sundance ‘26: ‘THE LAKE’ is a Dire Warning of an Impending Environmental Meltdown

You may have heard the headlines before: without immediate intervention, an “environmental nuclear bomb” is set to go off in the Western USA, in Utah. The Lake, an urgent, fact-filled documentary from Utah-native and first-time feature documentarian Abby Ellis, starts by providing an alarming statistic: over half of the water in the Great Salt Lake...

SUNDANCE ’24 REVIEW
Sundance ‘24: ‘FREAKY TALES’ A Disjointed Tapestry of Stories, Ideas, and Tones, with Nazis

Sundance ‘24: ‘FREAKY TALES’ A Disjointed Tapestry of Stories, Ideas, and Tones, with Nazis

Ryan Fleck and Anna Boden’s Freaky Tales, a madcap 1987 Oakland-set anthology, is a lot. Told in four loosely threaded together chapters, this interconnected story of the intersection of corruption, subculture, and violence in Reagan-era west coast America bites off more than it can chew, becoming more of an implosive collision than a meaningful exploration...

SUNDANCE ’22 REVIEW
Sundance ’22: ’Til Distance Do Us Part With ‘ALICE’

Sundance ’22: ’Til Distance Do Us Part With ‘ALICE’

’Til distance do us part. Not death. These are the vows of the slave – or “domestic” – in Krystin Ver Linden’s Alice. But death may always interfere. And distance – through space and through time – proves to be but an illusion. Alice (Keke Palmer) is a slave. She wants for liberation, daring for...