Lynn Shelton’s most recent foray into feature film stands upon the mumblecore tenement of character reigning supreme above plot. The circular narrative about a couple (Jillian Bell, Michaela Watkins) who enlist a pawn shop owner (Marc Maron) to help sell a Civil War-era sword is a closed loop of somewhat vacuous plotting. Shelton’s breezy, unchallenging story highlights the underlying tension of legacy and the damage of past selves that we’re forced to carry around with us. Maron is stealthily funny even if Sword of Trust is rarely – if ever – laugh out loud comical but Shelton’s barbed dialogue and empathetic scene setting made for a fine pairing of snide and pathos that, when employed in harmony, make this absurdist satire of the American south stand tall and punch back. Softly though it may be. (C+)
SIFF ’19: Bone Dry ‘FRANCES FERGUSON’ Demands Acquired Tastes
Bob Byington’s latest sparsely funny dark-comedy is a mannered step back from mainstream appeal. The Infinity Baby director follows a woman (Kaley Wheless, monotonous but arresting) who’s so dissatisfied with her marriage that she throws her life in the toilet by sleeping with a student. What follows is a quirky bureaucratic procedural from the POV of said sex offender that somewhat jumbles its satirical take on the monotony of punishment. At 74 minutes, it’s extremely slight and uses quirky “nomnipotent” narration from Nick Offerman to offer a sardonic birds-eye approach to storytelling. The characters’ apathy is reflected in Byington’s almost narcissistic touch, making his decidedly festival-circuit exclusive more niche than ever. (C+) Read More
Seattle International Film Festival 2019 Announces Complete Lineup
SEATTLE – Wednesday, May 1, 2019— The Seattle International Film Festival, the largest and most highly attended film festival in the United States, announced today the complete lineup of films, guests, and events for the 45th annual 25-day Festival that runs May 16 – June 9, 2019. This year, SIFF will screen 410 films representing 86 countries and will include: 147 features (plus 4 secret films), 71 documentaries, 12 archival films, and 176 shorts. The lineup includes 33 World premieres (12 features, 21 shorts), 42 North American premieres (27 features, 15 shorts), and 19 US premieres (11 features, 8 shorts). Read More
SIFF ’18 Capsule Review: ‘DON’T WORRY, HE WON’T GET FAR ON FOOT’
Recovery is a marathon not a sprint, not that the snarky wheelchair-bound protagonist of Gus Van Sant’s Don’t Worry would be able to stand for either. Telling the true story of celebrated, irreverent Portland cartoonist John Callahan, from his reckless drinking days to his untimely paralysis to his long tenure at AA, Van Sant’s latest is a hopeful salvation saga sprinkled with un-PC delights lead by a powerful Joaquin Phoenix performance. Lippy but uplifting, Don’t Worry crutches on a jumbled timeline that can make the narrative feel sloppy and untethered but is harnessed by a message of preservation in the face of all obstacles. Jonah Hill is raw as a flowy flaxen-haired sponsor amidst a standout supporting cast. (B) Read More
SIFF ’18 Capsule Review: ‘HEARTS BEAT LOUD’
Nick Offerman plays a hipster record shop owner/has-been musician/doting father to the talented and driven Sam (Kiersey Clemons in a vibrant coming out party of a performance) as the two start an unlikely band in Brett Haley’s lovely indie musical Hearts Beat Loud. The pair share wonderful screen chemistry – Offerman has never been better – while the movie itself transforms into a warm blast of dreams, acceptance, and growing pains that’s luminously riddled with maturity. This charmed musical crowdpleaser hits all the right notes, delivering a bucket of all-the-feels alongside some delightfully head-bobbing tuneage. (B+) Read More
SIFF ’18 Capsule Review: ‘TIGERS ARE NOT AFRAID’
Not even children are spared in this gritty Mexican fantasy-thriller from writer/director Issa López. Both grounded in dark realities and anchored by larger-than-life fantastical elements, Tigers Are Not Afraid shares DNA with Guillermo del Toro’s Spanish-language horrors movies (think Devil’s Backbone), which smuggle pervasive social commentary in with spooky, mythic thrills. A 10-year old girl joins up with a similarly orphaned child gang, roaming the streets and eluding ill-intentioned adults in this unsettling fable about loss and criminality. Moody and uncompromising, Tigers marks López as a blooming talent to keep a close eye on. (B-) Read More
SIFF ’18 Capsule Review: ‘THREE IDENTICAL STRANGERS’
Eddy Galland, David Kellman, and Robert Shafran had their lives turned upside down with the discovery that the three 19-year olds were long-lost triplets. Overnight media sensations, the long-separated trio discover a nefarious plot to settle the argument on nature vs. nurture in this stranger-than-fiction type documentary from Tim Wardle. Equally compelling and fascinating, Three Identical Strangers is a psychological tragedy that shuffles between the influences of fame, genes, and mental disease to startling effect. Runs out of steam as the surprises fade away but remains a largely arresting watch nonetheless. (B) Read More
SIFF ’18 Capsule Review: ‘RUIN ME’
This concept horror from Preston DeFrancis tries to combine the shlocky guesswork of a whodunnit in with the craze of Escape Rooms to middling effect. When ex-addict Alexandra (Marcienne Dwyer) accompanies boyfriend Nathan on Slasher Sleepout, the orchestrated haunt becomes menacingly real and the pair must fight for survival. Some of the narrative twists work but the acting is standard C-list horror subpar, the practical effects disappointing, and the scares lacking entirely. The script from DeFrancis and Trysta Bissett is loaded with bromides and jump-to-conclusions dialogue as well as some hare-brained endgame mustache-twirling that comes across as more tasteless and off-putting than brutal and brilliant. (C-) Read More
SIFF ’18 Capsule Review: ‘LEAVE NO TRACE’
Following 2010’s Winter’s Bone, Debra Granik continues to peer into the grungy sideshow of backcountry American life in the delicately told Leave No Trace. About a father and daughter who attempt to live off the land, Granik’s third feature film tackles heavy themes with a soft touch, allowing Ben Foster and Thomas Harcourt McKenzie’s soulful performances to soar in this quiet coming-of-age character study. A treatise on the bonds that tie and emotional scars too ugly to bear, Leave No Trace is a graceful and absorbing drama about the profundity of family love. (B+) Read More
SIFF ’18 Capsule Review: ‘BEAST’
This moody slow-burn from writer-director Michael Pearce is a psychosexual tone-poem of quiet desperation. On a reclusive island, Jessie Buckley’s misfitted Mal falls for Pascal (Johnny Flynn) who just so happens to be the chief suspect for a string of heinous murders perpetrated against the communities’ women. Pearce’s seductive romantic thriller plays a tantalizing game of cat and mouse, teasing the audience with an eerie soundscape and an off-axis visual palette. Buckley is a find as Mal, offering a full-charged performance and a different breed of leading lady. (B) Read More