Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.
There are movies that unfold according to a plan, each scene carefully advancing a story toward a predetermined destination. Then there are movies like Summer War, where every scene feels as though it might wander off in an entirely unexpected direction. Writer-director Alicia Scherson’s adaptation of Roberto Bolaño’s novel The Third Reich is messy, strange,...
When orphaned Māori woman Mary (Ariāna Osborne) travels to Victorian England in the 1800s to uncover the identities of the parents she never knew, she instead unearths heinous secrets with far-reaching implications for her family tree. Mārama, the New Zealand gothic horror film from director Taratoa Stappard, folds cultural appropriation and colonial violence into a...
The Ascent, directed by Francis Cronin, Edward Drake, and Scott Veltri, is a climbing documentary–true crime hybrid following bilateral amputee Mandy Horvath’s attempt to quite literally crawl up Mt. Kilimanjaro using only her hands and a whole lot of gumption. It’s a captivating stranger-than-fiction account that resists easy categorization, the film ably exploring Mandy’s difficult...
The Friend’s House is Here, written, directed, and produced by Hossein Keshavarz and Maryam Ataei, is a slice-of-life Iranian drama following two close friends navigating Tehran’s underground art world, where they risk staging performances featuring women without hijabs or dancing ever-so-slightly provocatively on social media, in defiance of state censorship. The film is an intimate,...
Frank (Kingsley Ben-Adir) is up for parole soon, serving a long sentence in a maximum security prison. Years ago, he killed a man, but now considers himself changed. We’re not so convinced. Yes, Frank can be patient and carries himself with a calm stillness, but there’s a rage inside him that boils over when no...
This is not a story of extinction. If Cocaine Bear (also “based on a true story”) gives us a deranged cautionary tale about mankind’s reckless interference with animal instincts, Nuisance Bear offers the quieter, more unsettling counterpoint: what happens when animals start showing up in human spaces not out of curiosity, but desperation.
It’s the job of parents to keep kids safe. But that doesn’t mean safety is ever really within their control. Josephine, written, directed, and produced by Beth de Araújo, and winner of both the Sundance Jury and Audience Awards, is a thoroughly depressing, feel bad film about what happens when that illusion of control is...
Brother and sister Isla (Gayle Rankin) and Sandy (Grant O’Rourke) have been living alone on the isolated, windswept Auk Isle off the coast of Scotland for 30 years. Entirely self-reliant, they spend their days hunting and gathering, swapping feverish tales of mainland threats, and preparing for phantom invaders. This translates to things like netting seagulls...
During Ghost Month, the boundary between the living and the dead is supposed to thin. The gates of hell open up. The ghosts get hungrier. Or so says Gracie’s Nai Nai (Fiona Fu), who delivers this unsettling tidbit with the weary authority of someone who’s seen some things. For Gracie’s family, this bit of folklore...
Now available at home: The Weight is available to rent or buy on digital (Apple TV, Amazon and Fandango at Home) as of October 20, 2026. Originally reviewed at the 2026 Sundance Film Festival. In the midst of the Great Depression, Samuel Murphy, played by the ever-reliable Ethan Hawke, is separated from his daughter and...