BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, May 5, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

INTERVIEWS

Exclusive interviews with actors, directors, and craftspeople — candid conversations about making movie magic, career, and any other random thought that crosses my mind.

INTERVIEW
Talking with Taissa Farmiga and Ben Rosenfield of 6 YEARS

Talking with Taissa Farmiga and Ben Rosenfield of 6 YEARS

For all the schmaltzy young love that pollutes our movie screens (*cough* If I Stay, Fault in Our Stars *cough*) there comes the ocassional tale of youth and young love that actually merits a watch. 6 Years is that movie. And now that it’s been picked up by Netflix, you’ll actually probably watch it. How...

INTERVIEW
Talking with Robert Duvall of WILD HORSES

Talking with Robert Duvall of WILD HORSES

With Wild Horses, Robert Duvall returns to the director’s chair after a 13 year stay of absence. Though he attempts to craft an unlikely movie with meaning inside the confines of a thriller/western, the film gets away from him. From our review;

INTERVIEW
Talking With Ross Partridge of LAMB

Talking With Ross Partridge of LAMB

One of the most interesting, complex films of SXSW 2015 to date is Ross Partridge‘s Lamb. With the film, Partridge subverts our psychological expectations, flipping a difficult concept on its head and bleeding it for all its unsettling, deep dramatic worth. From our review: Not one to worry about getting too literal with their metaphors, Partridge...

INTERVIEW
Talking (in French) with Michel Hazanavicius & Berenice Bejo of THE ARTIST

Talking (in French) with Michel Hazanavicius & Berenice Bejo of THE ARTIST

The Artist was an unprecedented film. Movies don’t come in black and white anymore. And no one would think to make a silent black-and-white film in 2010. When you chat with the brains behind the film, it makes sense. These are incredibly French, reserved folk who speak in hushed tones. I’ve spent a lot of time in...

INTERVIEW
Talking with Chloe Grace Moretz of IF I STAY

Talking with Chloe Grace Moretz of IF I STAY

At the tender young age of 12, Chloe Grace Moretz suited up in purple spandex and dropped profanities like a pirate’s parrot. Offensive to some and provocative to all, her role as Hit-Girl exposed her to the world in a big way and it was a career moved that has since paid off ten-fold. She’s...

INTERVIEW
Talking With Charlie McDowell of THE ONE I LOVE

Talking With Charlie McDowell of THE ONE I LOVE

A little bit uncomfortable in his armchair and quite obviously neurotic, Charlie McDowell may have been overshadowed by Mark Duplass, the star of his film The One I Love, but there was something to Duplass’ confidence in the man that made him stand taller, that made his shoulders broaden. For a first time director, working with...

INTERVIEW
Talking With Mark Duplass of THE ONE I LOVE, CREEP, and THE LEAGUE

Talking With Mark Duplass of THE ONE I LOVE, CREEP, and THE LEAGUE

Mark Duplass threw his hat into the entertainment mix as a founder of the mumblecore movement before joining up with FX‘s the surprise hit tv show, The League. Since then, he’s associated with filmmakers big and small, working on Oscar nominated films (Zero Dark Thirty) and indie gems (Safety Not Guaranteed) alike. This year, Duplass...

INTERVIEW
Talking with Bong Joon-Ho of SNOWPIERCER

Talking with Bong Joon-Ho of SNOWPIERCER

I’ve said it one times too many already but for the purpose of this article, it’s really worth reiterating again: I’m a big fan of South Korean film. So it shouldn’t be much of a surprise that I jumped at the opportunity to interview Bong Joon-Ho, a great voice within the oeuvre of South Korean...

INTERVIEW
Talking With Richard Linklater of BOYHOOD

Talking With Richard Linklater of BOYHOOD

I made no secret of my admiration for director Richard Linklater. Over the course of 25 years, the self-taught auteur has been responsible for some of the finest, most human pieces of film to grace the silver screen. From his hauntingly perfect Before series to his most recent – and most ambitious – masterpiece Boyhood,...

INTERVIEW
Talking with Jim Mickle of COLD IN JULY

Talking with Jim Mickle of COLD IN JULY

Last October, I spoke with Jim Mickle about We Are What We Are, a subversive cannibal thriller, but this year he’s back with something bigger, bolder and all around better: Cold in July. While a truly remarkable film in its own right, Jim’s journey to make the film – a process that lasted nearly a...