Film Reviews, Interviews and Articles
At the risk of forever emasculating myself, I’ll admit that after seeing the End of the Tour, I wept. I broke down into meaty sobs on the blustery streets of Park City, Utah. There was this pounding feeling of despair that washed over me that I just couldn’t shake. Bleary-eyed and shell-shocked, I wept for humanity, and it’s all James Ponsoldt and Jason Segel’s fault. Read More
Harry Lloyd has developed a fan base through a number of television roles, including a two-episode arc on Doctor Who and, more recently, as Viserys Targaryen on Game of Thrones, as well as parts on the stage and the big screen. Viewers familiar with his work may be surprised to see the English actor playing the Jersey-native protagonist of Big Significant Things, which premiered at SXSW. With its theatrical run opening this weekend, we spoke with Lloyd about independent filmmaking, the American south, and chewing tobacco. Read More
Kris Swanberg rightfully fancies herself as far more than the wife of illustrious mumblecore director Joe Swanberg. She is a filmmaker in her own right. Though she may still be perfecting her craft. With her third film, Unexpected, the female Swanberg sought to thoughtfully divorce “pregnancy films” from the comedic context that it’s been hedged into time and again. Instead, she intended to make some earnest, genuine and from the perspective of an actual woman going through these actual motions. And for the most part, she has succeeded. Read More
*This is a reprint of our 2015 SXSW coverage.
2015 is shaping up to be the year of the great rom-com as Judd Apatow‘s Trainwreck is the third great romantic comedy or romantic comedy drama (or romantic dramedy) that I’ve seen this year – the other two being Adult Beginners and Sleeping With Other People. A portion of our SXSW review states: Read More
With unprecedented access to an evolving cartel v. vigilante situation on the US-Mexican border, director Matthew Heineman found himself on the front lines of a war that’s been brewing for decades in Cartel Lands. Told through the lens of two vigilante group leaders, Dr. José Manuel Mireles of the Mexican Autodefensas and Tim “Nailer” Foley of the US Cartel Resistance force. Both men arm themselves and work outside the confines of the state and Heineman finds himself in close quarters with these outlaws, probing their victories and defeat. His ultimate victory is in leaving the door open for his audience to assess for themselves what is right and what is wrong. Read More
Natalia Tena has crafted a career out of playing odd tertiary characters. From playing Tonks in the Harry Potter films to giving life to Osha in Game of Thrones, she’s known for her involvement with geek culture mainstays. But strip away the fluctuating neon hair and the dirty Wildling face and Tena is a true beauty and a massive talent – a fact proven by her absolutely knockout performance in Carlos Marques-Marcet’s superb 10,000 KM [review here]. Read More
After premiering at SXSW 2014 to rave reviews, Carlos Marques-Marcet‘s 10,000 KM has gone on to win the hearts and minds of festival filmgoers the world over. With a wide-spread limited release platform that sees 10,000 KM opening in 11 cities across the U.S. – a statistic that executive producer Pau Brunet called, “Pretty much a major release for this kind of movie,” With its weekend release to domestic theaters from New York to San Francisco, we’ve dredged up this year-old interview, one that’s aged like a fine wine. Read More
I won’t easily admit to being one to be star-stuck but let’s just say I have developed a life-long BFF crush on Jason Schwartzman. From his debut in Wes Anderson’s electric Rushmore (and onward through a certifiable library of Anderson films) to his cult HBO amateur detective comedy Bored to Death to his truly standout indie-rock band Coconut Records (seriously, listen to them. They’re great) I would count myself amongst the Schwartz’s dedicated fanboys. Having the chance to speak with him not once, not twice but three times over a weekend proved my long-time suspicion: the dude is also an incredibly nice guy. Read More
Going into 2014’s SXSW, Patrick Brice was an unknown entity, opening the door for the horror knockout that was Creep. With Mark Duplass and an HD camera, Brice made one of the year’s best horror films with little to no dollar bills. All the more impressive is his follow-up, the hilarious and heartfelt The Overnight. With a bigger cast, more money, a formalized script and a sprig of confidence, Brice set out to out-do himself in every way possible. I sat down with Patrick for this two-part discussion of what is easily one of my favorites of the year. Join us as we talk about the transformation from first time director to Sundance sparkler, his desire to dip his toe into thrillers, the responsibility of doing bigger and better projects, pushing the boundaries of comedy, the potential of horror movies and those infamous penis prosthetics.
For years, Pixar implied the highest standard in animation. A fifteen year run that spanned from Toy Story to Toy Story 3 included such classics as Monsters, Inc., Finding Nemo, The Incredibles, Up, Wall-E, Ratatoiulle. For most studios, that amount of #winning would be tantamount to a lifetime of work. And though Pixar’s latest efforts have been middling at best (the trifecta of Cars 2, Brave and Monsters University marked a major low point for the animation studio’s creative juices) Inside Out (full review here) has arrived to return the studio to its former glory. Read More