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Golden Globes Nominations Stick to the Usual Suspects

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What a crazy two months it has been, as the majority of the Golden Globes film nominees were released in the last sixth of this year. 12 Years a Slave and American Hustle earned seven nods each, leading the pack of award season favorites. Interestingly, the competition for best film has been essentially cut in half, since the Globes consider Her, American Hustle, Inside Llewyn Davis, and Nebraska comedies, which seems a bit odd, even though they are lighter dramas.

Of the two categories, the comedy one looks to be much more competitive, honestly. While Gravity, Captain Phillips, Philomena, and Rush were all exceptionally solid films, they are second tier to the likes of 12 Years a Slave and Dallas Buyers Club (which is curiously absent). The actor nods are in the same boat, as the competitive pool has been divided into two separate categories.

The complete list of nominees below with predictions in red.

Best Picture, Drama

“12 Years a Slave”

“Captain Phillips”

“Gravity”

“Philomena”

“Rush”

Best Picture, Musical or Comedy

“American Hustle”

“Her”

“Inside Llewyn Davis”

“Nebraska”

“The Wolf of Wall Street”


Best Director

Alfonso Cuarón, “Gravity”

Paul Greengrass, “Captain Phillips”

Steve McQueen, “12 Years a Slave”

Alexander Payne, “Nebraska”

David O. Russell, “American Hustle”

 

Best Actor, Drama

Chiwetel Ejiofor, “12 Years a Slave”

Idris Elba, “Mandela: The Long Walk to Freedom”

Tom Hanks, “Captain Phillips”

Matthew McConaughey, “Dallas Buyers Club”

Robert Redford, “All Is Lost”

 

Best Actress, Drama

Cate Blanchett, “Blue Jasmine”

Sandra Bullock, “Gravity”

Judi Dench, “Philomena”

Emma Thompson, “Saving Mr. Banks”

Kate Winslet, “Labor Day”

 

Best Actor, Musical or Comedy

Christian Bale, “American Hustle”

Bruce Dern, “Nebraska”

Leonardo DiCaprio, “The Wolf of Wall Street”

Oscar Isaac, “Inside Llewyn Davis”

Joaquin Phoenix, “Her”

 

Best Actress, Musical or Comedy

Amy Adams, “American Hustle”

Julie Delpy, “Before Midnight”

Greta Gerwig, “Frances Ha”

Julia Louis-Dreyfus, “Enough Said”

Meryl Streep, “August: Osage County”

 

Best Supporting Actor

Barkhad Abdi, “Captain Phillips”

Daniel Brühl, “Rush”

Bradley Cooper, “American Hustle”

Michael Fassbender, “12 Years a Slave”

Jared Leto, “Dallas Buyers Club”

 

Best Supporting Actress

Sally Hawkins, “Blue Jasmine

Jennifer Lawrence, “American Hustle”

Lupita Nyong’o, “12 Years a Slave”

Julia Roberts, “August: Osage County”

June Squibb, “Nebraska”

 

Best Animated Feature Film

“The Croods”

“Despicable Me 2”

“Frozen”

 

Foreign Language Film

“Blue Is the Warmest Color”

“The Great Beauty”

“The Hunt”

“The Past”

“The Wind Rises”

 

Best Screenplay

“12 Years a Slave”

“American Hustle”

“Her”

“Nebraska”

“Philomena”

 

Best Original Song

“Atlas,” performed by Coldplay — “The Hunger Games: Catching Fire”

“Let It Go,” performed by Idina Menzel — “Frozen”

“Ordinary Day,” performed by U2 — “Mandela: The Long Walk to Freedom”

“Please Mr. Kennedy,” performed by Justin Timberlake, Oscar Isaac, and Adam Driver — “Inside Llewyn Davis”

“Sweeter Than Fiction,” performed by Taylor Swift — “One Chance”

 

Best Original Score

Alex Ebert, “All Is Lost”

Alex Heffes, “Mandela: The Long Walk to Freedom”

Steven Price, “Gravity”

John Williams, “The Book Thief”

Hans Zimmer, “12 Years a Slave”

 

TELEVISION

 

Best Television Series, Drama

“Breaking Bad”

“Downton Abbey”

“The Good Wife”

“House of Cards”

“Masters of Sex”

 

Best Television Series, Comedy or Musical

“The Big Bang Theory”

“Brooklyn Nine-Nine”

“Girls”

“Modern Family”

“Parks and Recreation”

 

Best Miniseries or Television Movie

“American Horror Story: Coven”

“Behind the Candelabra”

“Dancing on the Edge”

“Top of the Lake”

“White Queen”

 

Best Actor, Television Drama

Bryan Cranston, “Breaking Bad”

Liev Schreiber, “Ray Donovan”

Michael Sheen, “Masters of Sex”

Kevin Spacey, “House of Cards”

James Spader, “The Blacklist

 

Best Actress, Television Drama

Juliana Margulies, “The Good Wife”

Tatiana Maslany, “Orphan Black”

Taylor Schilling, “Orange Is the New Black”

Kerry Washington, “Scandal”

Robin Wright, “House of Cards”

 

Best Actor, Television Comedy or Musical

Jason Bateman, “Arrested Development”

Don Cheadle, “House of Lies”

Michael J. Fox, “The Michael J. Fox Show”

Jim Parsons, “The Big Bang Theory”

Andy Samberg, “Brooklyn Nine-Nine”

 

Best Actress, Television Comedy or Musical

Zooey Deschanel, “New Girl”

Lena Dunham, “Girls”

Edie Falco, “Nurse Jackie”

Julia Louis-Dreyfus, “Veep”

Amy Poehler, “Parks and Recreation”

 

Best Actor, Television Movie or Mini-Series

Matt Damon, “Behind the Candelabra”

Michael Douglas, “Behind the Candelabra”

Chiwetel Ejiofor, “Dancing on the Edge”

Idris Elba, “Luthor”

Al Pacino, “Phil Specter”

 

Best Actress, Television Movie or Mini-Series

Helena Bonham Carter, “Burton and Taylor”

Rebecca Ferguson, “White Queen”

Jessica Lange, “American Horror Story: Coven”

Helen Mirren, “Phil Specter”

Elisabeth Moss, “Top of the Lake”

 

Best Supporting Actor

Josh Charles, “The Good Wife”

Rob Lowe, “Behind the Candelabra”

Aaron Paul, “Breaking Bad”

Corey Stoll, “House of Cards”

Jon Voight, “Ray Donovan”

 

Best Supporting Actress

Jacqueline Bisset, “Dancing on the Edge”

Janet McTeer, “White Queen”

Hayden Panettiere, “Nashville”

Monica Potter, “Parenthood”

Sofia Vergara, “Modern Family”

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20th SAG Nominees Led By 12 YEARS A SLAVE, DALLAS BUYERS CLUB, BREAKING BAD, ARRESTED DEVELOPMENT

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The 20th SAG award nominations are just full of surprises as 12 Years a Slave, again, was nominated for almost every film category. Best actor looks like it will be neck and neck, between Bruce Dern, Chiwetel Ejiofor, Tom Hanks, and Matthew McConaughey. Still unreleased to the general public, American Hustle was also well represented, along with underdog Dallas Buyers Club. Strangely there are no nominations for Her, which is hopefully poised to do well during award season.

In television, Breaking Bad is aiming to win just about everything. There is no way that final season doesn’t garner best drama and best actor for Bryan Cranston. Making predictions for comedy awards is usually fruitless, since comedic tastes tend to be all over the place. However, the usual suspects are here, including Arrested Development, Modern Family, and 30 Rock. In other news, people still like Big Bang Theory, as it has quite a few nominations too. Go figure.

See the full nominations below. Predictions in red.

Theatrical Motion Pictures

Outstanding Performance by a Cast in a Motion Picture

12 Years a Slave

American Hustle

August: Osage County

Dallas Buyers Club

Lee Daniels’ The Butler

Outstanding Performance by a Male Actor in a Leading Role

Bruce Dern – Woody Grant – “Nebraska

Chiwetel Ejiofor – Solomon Northup – “12 Years a Slave

Tom Hanks – Capt. Richard Phillips – “Captain Phillips

Matthew McConaughey – Ron Woodroof – “Dallas Buyers Club

Forest Whitaker – Cecil Gaines – “Lee Daniels’ The Butler

Outstanding Performance by a Female Actor in a Leading Role

Cate Blanchett – Jasmine – “Blue Jasmine

Sandra Bullock – Ryan Stone – “Gravity

Judi Dench – Philomena Lee – “Philomena

Meryl Streep – Violet Weston – “August: Osage County

Emma Thompson – P.L. Travers – “Saving Mr. Banks

Outstanding Performance by a Male Actor in a Supporting Role

Barkhad Abdi – Muse – “Captain Phillips

Daniel Brühl – Niki Lauda – “Rush

Michael Fassbender – Edwin Epps – “12 Years a Slave

James Gandolfini – Albert – “Enough Said

Jared Leto – Rayon – “Dallas Buyers Club

Outstanding Performance by a Female Actor in a Supporting Role

Jennifer Lawrence – Rosalyn Rosenfeld – “American Hustle

Lupita Nyong’o – Patsey – “12 Years a Slave

Julia Roberts – Barbara Weston – “August: Osage County

June Squibb – Kate Grant – “Nebraska

Oprah Winfrey – Gloria Gaines – “Lee Daniels’ The Butler

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

Matt Damon – Scott Thorson – “Behind the Candelabra

Michael Douglas – Liberace – “Behind the Candelabra

Jeremy Irons – King Henry IV – “The Hollow Crown

Rob Lowe – John F. Kennedy – “Killing Kennedy

Al Pacino – Phil Spector – “Phil Spector

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

Angela Bassett – Coretta Scott King – “Betty & Coretta

Helena Bonham Carter – Elizabeth Taylor – “Burton and Taylor

Holly Hunter – G.J. – “Top of the Lake

Helen Mirren – Linda Kenney Baden – “Phil Spector

Elisabeth Moss – Robin Griffin – “Top of the Lake

Outstanding Performance by a Male Actor in a Drama Series

Steve Buscemi – Enoch “Nucky” Thompson – “Boardwalk Empire

Bryan Cranston – Walter White – “Breaking Bad

Jeff Daniels – Will McAvoy – “The Newsroom

Peter Dinklage – Tyrion Lannister – “Game of Thrones

Kevin Spacey – Francis Underwood – “House of Cards

Outstanding Performance by a Female Actor in a Drama Series

Claire Danes – Carrie Mathison – “Homeland

Anna Gunn – Skyler White – “Breaking Bad

Jessica Lange – Fiona Goode – “American Horror Story: Coven

Maggie Smith – Violet, Dowager Countess of Grantham – “Downton Abbey

Kerry Washington – Olivia Pope – “Scandal

Outstanding Performance by an Ensemble in a Drama Series

Boardwalk Empire

Breaking Bad

Downton Abbey

Game of Thrones

Homeland

Outstanding Performance by a Male Actor in a Comedy Series

Alec Baldwin – Jack Donaghy – “30 Rock

Jason Bateman – Michael Bluth – “Arrested Development

Ty Burrell – Phil Dunphy – “Modern Family

Don Cheadle – Martin “Marty” Kaan – “House of Lies

Jim Parsons – Sheldon Cooper – “The Big Bang Theory

Outstanding Performance by a Female Actor in a Comedy Series

Mayim Bialik – Amy Farrah Fowler – “The Big Bang Theory

Julie Bowen – Claire Dunphy – “Modern Family

Edie Falco – Jackie Peyton – “Nurse Jackie

Tina Fey – Liz Lemon – “30 Rock

Julia Louis-Dreyfus / Vice President Selina Meyer – “Veep

Outstanding Performance by an Ensemble in a Comedy Series

30 Rock

Arrested Development

The Big Bang Theory

Modern Family

Veep

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What Looks Worse: THE STARVING GAMES or THE HUNGOVER GAMES?

For all the praise The Hunger Games franchise has received (and count me amongst the many fans of the series), the second installment is now single-handedly responsible for not one, but two spin-off “comedies.” The first, so cleverly titled The Starving Games, throws wedgies, Hobbits, The Avengers, LMFAO, Apple products, Angry Birds and a horny Gandalf into the Hunger Games formula that makes a 2 minute and 27 second trailer look like a life time. The internet collectively sighed at the trailer’s debut and condemned it to the worst corner of film hell. If you dare, take a peek at this monstrosity.

Thankfully, audiences also seemed to have enough of Jason Friedman and Aaron Seltzer (Vampires Suck, Disaster Movie, Meet the Spartans, Epic Movie) notoriously lazy brand of comedy as when The Starving Games opened last month (November 8) it made less than $10,000 and barely saw ten theaters. Such a face-first wipeout would make you think that Ketchup Entertainment and their intellectually sleazy cohorts would catch the hint and start leaving these spoofers in the dumpster where they belong but no, as the second Hunger Games ripoff is well on its way in the form of The Hungover Games. Because we all know that you’ve been wondering what would happen if you took the wolf pack and threw them in with Katniss.

This time the spoof net is even wider, and arguably more lazy, with nods to just about everything in the mere periphery of pop culture rears its head in this ugly, ugly looking film. From Jack Sparrow to Tonto, Ted to Django, race jokes to housewives, Carrie and, oh yeah, The Avengers again, it’s amazing just how non-topical some of these references can be. The saddest part of this whole thing is to see Tara Reid and Jamie Kennedy‘s names thrown in the mix as if those two really are going to get people to see the film.

http://www.youtube.com/watch?v=cAq0jgKGGGw

More than anything, I just wonder who goes to see these films.Friedberg and Seltzer, amazingly enough, tend to break 30 million dollars domestically usually working off a budget of around 20 million. So the profits are small but just sizable enough to give them something to do every couple years or so. I just want to plead with the audiences who are actually seeing these abominations to stop seeing them. It’s not like they enjoy them, right? (Please God, I hope no one enjoys them)

So which of these two do you think looks worse? I know they’re both horrendous but one might have a leg up on the other in terms of being unbelievably shitty. Further, what is the worse spoof movie you’ve ever seen? And finally, if you know anyone who admits to seeing these, just do them a favor and steal ten bucks from their wallet.

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HER Wins National Board Of Review Best Picture

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The National Board Of Review has awarded Her best film and Spike Jonze best director. Her, 12 Years a Slave, Dallas Buyers Club, Gravity, Inside Llewyn Davis, American Hustle and The Wolf on Wall Street have each thrived throughout the precursor awards receiving a wide spread of nominations and wins, proving that this Fall season looks to redeem a very poor summer at the movies. Although, Her won’t see a wide release until January 10, 2014, it’s been screening to select audiences and critics who have received the film very, very warmly. This expected win will surely boost its chances in the upcoming Oscar season.

Spike Jonze’s track record speaks for itself and the trailer provides a haunting and thought-provoking cinematic landscape. Expect Joaquin Phoenix to be in the running for this year’s very competitive Best Actor category but considering how crowded it is, he may not quite make the grade. If he keeps turning The Master caliber performances, it’s only a matter of time until he is considered as much of a shoe-in as the likes of Daniel Day Lewis or Tom Hanks. 

What does this mean for the rest of award season? It’s anyone’s game really. 12 Years a Slave has seemed to lose some serious moment in these precursor awards but I would still be surprised if it didn’t do some serious damage at the Oscars. The aforementioned films however have certainly been delivering the proverbial chink to 12 Year’s armor.

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Will FAST AND FURIOUS Franchise Live on After Paul Walker's Death?

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While America tucked into bounties of turkey and stuffing and celebrated Thanksgiving with their families, this holiday weekend also brought the death of Fast and Furious franchise star Paul Walker. While not a celebrated star outside of the Fast and Furious world, Walker was the focal point of the F&F series and the lead character in a cast that includes Vin Diesel, Ludacris, Jordana Brewster, and Dwayne “The Rock” Johnson, amongst many others. In a feat of super sad irony, Walker was driving with a friend in a limited edition 2005 Porsche Carrera GT, the stuff straight from the pages of Fast and Furious, when his vehicle spun out and hit a tree, causing it to burst into flames, killing Walker and the driver. Mirroring the events of the franchise, police are now tossing around the idea that the crash might have been the result of a drag race (CNN). And while many people bowed their head in respectful solace for Walker’s passing, fans of the franchise raced to Twitter to ponder the future of the franchise and whether the next film would go up in flames as well. The short answer: no.

The seventh installment of the massively popular franchise launched into production earlier this fall on a rushed production timeline. Horror auteur James Wan (The Conjuring) stepped in for long time franchise helmer Justin Lin, who directed Fast films since the third film, Fast and Furious: Tokyo Drift. Lin apparently departed the series because he believed Universal was rushing production to hit a July 11, 2014 release date. Now, it seems inevitable that that date will mosey even further into the future as “massive rewrites” will need to take place to account for Walker’s passing.

As for Fast 7, Wan has already shot many of the expensive action sequences with Walker but his role in the film was far from over. Taking into account the fact that few films shoot scenes chronologically, Walker now has scenes all over the film with gaping holes where some much needed plot exposition should go.

Productions have lost major players before. Take for example Heath Ledger who died after completing his work on The Dark Knight but was in the midst of Terry Gilliam‘s The Imaginarium of Doctor Parnassus. In order to band-aid the missing scenes, friends of Ledger, Jude Law, Johnny Depp, and Colin Farrell, stepped in to fill in his missing part. But obviously something that “worked” in a wacky Gilliam movie won’t fly for mainstream audiences in a summer tentpole film. Oliver Reed also famously passed away while filming Gladiator and his missing bits were filled in with CGI composites of his face but that’s an expensive project that cost ballpark two million dollars for mere moments in the film. We can also assume this isn’t the best tactic for F&F 7.

It seems the only option for the franchise at this point is to off Walker’s character. This however raises an issue of good taste. Is it respectful to his legacy and fair to his family to have to relive Walker’s death in a fun, family-friendly movie? Maybe not. But then again, Fast has always been about family. Maybe they’ll let Walker’s character walk into the sunset with his family. For now, production has been halted so the cast and crew can grieve while the writers try and hack out a solution to the whole Walker’s missing problem. Fast 7 will certainly go on, but it might be the last we see of the Toretto family.

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Independent Spirit Award Nominations Topped by 12 YEARS A SLAVE AND NEBRASKA

Exclusively set aside for films made for under $20 million, the Independent Spirit Awards seeks to award the best of the best of films made on a shoestring budget. Even the original ISA statues themselves were made up of a glass pyramid encasing a shoestring – a paper-thin but elegant metaphor for the process of making independent movies.

This year’s nominees stir some of the strongest Oscar contenders in with a host of new coming talent. Leading the pack, 12 Years a Slave received seven nominations over a number of categories. Alexander Payne‘s Nebraska trailed closely with six nominations for his satirical look at a Midwest father and son on a roadtrip.

While a number of the nominees here will make their way into the Oscar contest come next March, many films with bigger budgets will edge out some of the competition seen here. For instance, 12 Years a Slave will certainly go on to make huge waves in this year’s Oscars whereas it’s closest competitor here, Nebraska, will have trouble getting the same attention.

Nominees are all below with my predicted winner highlighted in red.

Best Feature

12 Years a Slave: Dede Gardner, Anthony Katagas, Jeremy Kleiner, Steve McQueen, Arnon Milchan, Brad Pitt, Bill Pohlad
All Is Lost: Neal Dodson, Anna Gerb
Frances Ha: Noah Baumbach, Scott Rudin, Rodrigo Teixeira, Lila Yacoub
Inside Llewyn Davis: Ethan Coen, Joel Coen, Scott Rudin
Nebraska: Albert Berger, Ron Yerxa

Best Director

Shane Carruth “Upstream Color”
J.C. Chandor “All Is Lost”
Steve McQueen “12 Years a Slave”
Jeff Nichols “Mud”
Alexander Payne “Nebraska”

Best Screenplay

Woody Allen “Blue Jasmine”
Julie Delpy, Ethan Hawke & Richard Linklater “Before Midnight”
Nicole Holofcener “Enough Said”
Scott Neustadter & Michael H. Weber “The Spectacular Now”
John Ridley “12 Years a Slave”

Best First Feature

Blue Caprice – Alexandre Moors, Kim Jackson, Brian O’Carroll, Isen Robbins, Will Rowbotham, Ron Simons, Aimee Schoof, Stephen Tedeschi
Concussion – Stacie Passon, Rose Troche
Fruitvale Station – Ryan Coogler, Nina Yang Bongiovi, Forest Whitaker
Una Noche – Lucy Mulloy, Sandy Pérez Aguila, Maite Artieda, Daniel Mulloy, Yunior Santiago
Wadjda – Haifaa Al Mansour, Gerhard Meixner, Roman Paul

Best First Screenplay

Lake Bell “In A World”
Joseph Gordon-Levitt “Don Jon”
Bob NelsonNebraska
Jill SolowayAfternoon Delight”
Michael StarrburyThe Inevitable Defeat of Mister and Pete

John Cassavetes Award – (Given to the best feature made for under $500,000.) 

Computer Chess – Andrew Bujalski, Houston King & Alex Lipschultz
Crystal Fairy – Sebastiàn Silva, Juan de Dios Larraín & Pablo Larraín
Museum Hours – Jem Cohen, Paolo Calamita & Gabriele Kranzelbinder
Pit Stop – Yen Tan, David Lowery, Jonathan Duffy, James M. Johnston, Eric Steele, Kelly Williams
This is Martin Bonner – Chad Hartigan, Cherie Saulter

Best Female Lead

Cate Blanchett “Blue Jasmine”
Julie Delpy “Before Midnight”
Gaby Hoffmann “Crystal Fairy”
Brie Larson “Short Term 12”
Shailene Woodley “The Spectacular Now”

Best Male Lead

Bruce DernNebraska
Chiwetel Ejiofor12 Years a Slave”
Oscar Isaac “Inside Llewyn Davis”
Michael B. JordanFruitvale Station”
Matthew McConaugheyDallas Buyers Club”
Robert RedfordAll Is Lost”

Best Supporting Actress

Melonie Diaz “Fruitvale Station”
Sally Hawkins “Blue Jasmine”
Lupita Nyong’o “12 Years a Slave”
Yolonda Ross “Go For Sisters”
June Squibb “Nebraska”

Best Supporting Actor

Michael Fassbender “12 Years a Slave”
Will Forte “Nebraska”
James Gandolfini “Enough Said”
Jared Leto “Dallas Buyers Club”
Keith Stanfield “Short Term 12”

Best Cinematography

Sean Bobbitt “12 Years a Slave”
Benoit Debie “Spring Breakers”
Bruno Delbonnel “Inside Llewyn Davis”
Frank G. DeMarco “All Is Lost”
Matthias Grunsky “Computer Chess”

Best Editing

Shane Carruth & David Lowery “Upstream Color”
Jem Cohen & Marc Vives “Museum Hours”
Jennifer Lame “Frances Ha”
Cindy Lee “Una Noche”
Nat Sanders “Short Term 12”

Best Documentary

20 Feet From Stardom – Morgan Neville, Gil Friesen & Caitrin Rogers
After Tiller – Martha Shane & Lana Wilson
Gideon’s Army – Dawn Porter, Julie Goldman
The Act of Killing – Joshua Oppenheimer,  Joram Ten Brink, Christine Cynn, Anne Köhncke, Signe Byrge Sørensen, Michael Uwemedimo
The Square – Jehane Noujaim, Karim Amer

Best International Film

A Touch of Sin (China) – Jia Zhang-Ke
Blue is the Warmest Color (France) -Abdellatif Kechiche
Gloria (Chile) – Sebastián Lelio
The Great Beauty
(Italy) – Paolo Sorrentino
The Hunt (Denmark) – Thomas Vinterberg

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Untitled Superman Vs. Batman Film Gets List of Tentative Titles, MAN OF STEEL: BATTLE THE KNIGHT Amongst the Running

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Odds are you could probably care less what DC decides to title their Man of Steel sequel, which is set to pit the near invisible Superman again a PTSD-suffering billionaire who dresses like a bat and wears a lot of black makeup, but the latest list of possible titles is sure to induce the slightest of gags from the masses still with the truffley taste of Christopher Nolan‘s Battrilogy still lingering in our mouths. I’m of course not accounting for of bottom-tier puns (here all focused on swapping knight in for night, GET IT?!) who this batch of title treatments seems custom tailored for. The rest of us though can collectively sigh at the rampant stupidity taking place over at Warner Bros and the world of superhero sequel namers at large.

The runt of the new name litter is probably Man of Steel: Battle the Knight which sounds like the name of an animated title intended for 5-year olds yet to learn the idiosyncrasies of the language. Yank that colon out for Man of Steel Battles the Knight, or just go the next step for Man of Steel Battles the Dark Knight, and there’s at least something of interest that also reads like a normal sentence. As is, it sounds like the juvenile attempt of someone who secured an unflattering C in high school English.

Since the dawn of the Silver Surfer, the colon has become so overused in the blockbuster films that it’s essentially become a required part of a name for anything with a hundred million dollar plus budget. Even more important than the colon is the need to tack the word ‘dark’ somewhere in there (it’s just a no-brainer amiright?). This year’s Star Trek: Into Darkness is the best example of a misused colon couple with the useless inclusion of the word ‘dark’ (why not just Star Trek into Darkness or, more appropriately, Star Trek: Wrath of Khan: Part Deux). Thor: The Dark World is another great example of just throwing a colon and the word ‘dark’ at a title and expecting oohs and ahhs from wide-eyed fanboys.

As for this super DC conglomerate, there’s not much to this list of titles that catches my interest but, who knows, maybe people will just eat ’em up. What do you think of the following?

  • Man of Steel: Battle the Knight
  • Man of Steel: Beyond Darkness
  • Man of Steel: Black of Knight
  • Man of Steel: Darkness Falls
  • Man of Steel: Knight Falls
  • Man of Steel: Shadow of the Night
  • Man of Steel: The Blackest Hour
  • Man of Steel: The Darkness Within

At this point why don’t they just go with Man of Steel: Night of the Knight…oh wait. That actually has a nice ring to it. I think I’ve officially just spitballed a better title than WB’s collection of caffeine-slobbering goons jammed in a conference room somewhere, feeding from their 100k salaries.

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Spiderman Dons a Fighterfighter Helmet and Hose in…Wait What?

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Ok, where to begin on this one? Deep breath. So it appears that spidey sense, web-shooters, and wall climbing abilities just aren’t cutting it these days as Spidey has taken up a new mantle as an amateur firefighter… helmet and all. It’s not really clear where this will fit into the events of the next film or if it’s maybe just a joke intended to stir the internet into a WTF frenzy but the high quality of the photo and the apparent effects erupting all around Mr. Fireman seem to indicate that this is actually an event that takes place within the film. Because there’s nothing that Spiderman can’t and won’t do. Just you wait until stripper firefighter Spiderman. I don’t know about you but I can’t help but laugh at this photo while simultaneously dreading how terrible the film will likely be. I humbly apologize though because you’re now undoubtedly dumber for having seen this photo.

While the first film in this controversially rebooted franchise saw the events of Sam Raimi‘s Spiderman and his origins mimicked to the nth degree and a very poorly realize baddie in Doctor Connors – a man/lizard intent on turning the rest of Manhattan into man/lizards – this followup will feature Jaime Foxx as a very, very blue Electro. Because why would you cast a black man and leave him with black skin? Also, Paul Giamatti will step in as a small role as the Rhino with speculation pointing towards an eventual gang of super villains in the form of the canon classics, The Sinister Six. Finally Spiderman 3 and it’s three villains will seem like a respite once these six start rolling along.

In a typical move of putting the cart before the horse, it seems that Fox cares more about the future of the franchise than the present, dumping villain names as if they’re movie gold. I, for one, am very over this property and am already waiting for it to default back over to Marvel. Go ahead and look at these photos of Electro, Peter, and Gwen with the knowledge that you’ll probably just end up complaining about this flick after it comes out anyways.

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Jaime Foxx as Electro

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Emma Stone as Gwen Stacy and Andrew Garfield as Peter Parker

The Amazing Spiderman 2 will see the return of director Marc Webb and stars Andrew Garfield and Emma Stone but also features a whole cast of new actors including Jamie Foxx, Dane DeHaan, Paul GiamattiFelicity Jones, Chris Cooper, and Sally Field. The Amazing Spiderman 2 opens May 2, 2014.

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Taking a Second Swing at the 2014 Oscar Predictions

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A lot has changed in the weeks since my first Oscar prediction post. A big contender is now out of the running with Monuments Men unexpected move to a 2014 release, while Saving Mr. Banks debuted to soaring reviews, and The Wolf of Wall Street secured its chance in this year’s Oscar after solidifying a Christmas release date.

Although buzz has Gravity and 12 Years a Slave going head-to-head for the title, that conversation is nothing more than preemptive positioning, as there’s just so much more to see before the we start setting things in stone. One thing is for sure though, Gravity’s continued praise and high box office numbers make it a stronger contender than expected and it’s pretty much locked in nominations across the board. Nonetheless, expect it to pull an Inception/Life of Pi manuever and mostly walk away with technical accolades. Although unlikely, a director-picture split could potentially see Alfonso Cuaron taking home his first Oscar but after last year’s Affleck, Argo drama, don’t cross your fingers.

After seeing 12 Years a Slave, Blue is the Warmest Color, and Nebraska, I had to shake up a few categories, first and foremost, the Best Actor category, as I can’t imagine Bruce Dern not seeing some recognition. As for Chiwetel Ejifor‘s lead role in 12 Years, it’s beyond powerful, and he’s very likely to take home the gold. Nipping at his heels, Robert Redford continues to climb the charts for his near silent role in All is Lost and could just end up playing a legacy trump card when it comes voting time.

Another black man playing a role tailor man for the Oscars, Forest Whitaker got pushed out of the top five for now but it wouldn’t be unlikely for him to step back in sooner or later. Perhaps the biggest unknown quality in this category though is Leonardo DiCaprio, who leads Scorsese’s The Wolf of Wall Street. Criminally undernominated, DiCaprio was pegged for an Oscar for this role early on but now his odds are shakier with the knowledge that Wolf is a nearly three hour long dark comedy. Now that the film will definitely see the light of day in 2013, there’s still a chance he can pull some last minute punches. For once, it’s a rather interesting race for Best Actor with some massive talent pining for those top five spots.

The Best Director category seems pretty firmed up as none of the top five spots managed to budge. Expect further momentum in that category in December when Saving Mr. Banks, American Hustle, and Inside Llewyn Davis play for a wider audience. For now, it’s a race between McQueen and Cuaron but if American Hustle is the success story that so many people expect, a win for David O. Russell would be more than understandable.

Glancing through the list for now, you’ll notice a bit of a 12 Years a Slave domination. Does that mean I expect 12 Years a Slave to clean up at the Oscars? Not necessarily, but all current momentum does have it as an early frontrunner, making it the one to beat at the moment. Gravity is currently perceived as its biggest competition but that’s little more than hogwash, as Gravity, no matter how well received, just doesn’t stand a chance at the top.

The closet thing we have as a lock for now is Cate Blanchett‘s stronghold on Best Actress. Although Judi Dench will give her a run for her money with her titular role in Philomena, Bullock is assured a nomination, and Streep is never someone to be scoffed at, this category is all but signed, sealed, and delivered for Blanchett.

Best Picture:

1. “12 Years a Slave” (No change)

2. “Gravity” +1
3. “Saving Mr. Banks” +1
4. “American Hustle” -2
5.  “The Wolf of Wall Street” +4
6. “Inside Llewyn Davis” (No change)
7. “Captain Phillips” -2
8. “Nebraska” +4
9. “Dallas Buyers Club” -2
10. “All is Lost” +1

Fringe:
11. “August: Osage County” -1
12. “Rush” +1
13. “Before Midnight” +1
14. “Blue is the Warmest Color” (New)
15. “Prisoners” (New)

Best Director:

1. Steve McQueen “12 Years a Slave” (No change)

2. Alfonso Cuaron “Gravity” (No change)
3. David O. Russell “American Hustle” (No change)
4. John Lee Hancock “Saving Mr. Banks” (No change)
5. The Coen Bros “Inside Llewyn Davis” (No change)

Fringe:
6. Martin Scorsese “The Wolf of Wall Street” +2
7. Paul Greengrass  “Captain Phillips” -1
8. JC Chandor “All is Lost” +1
9. Alexander Payne “Nebraska” +1
10. Jean-Marc Vallee “Dallas Buyers Club” (New)

Best Actor:

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1. Chiwetel Ejifor “12 Years a Slave” +1

2. Robert Redford “All is Lost” +2
3. Matthew McConaughey “Dallas Buyers Club” -2
4. Tom Hanks  “Captain Phillips” -1
5. Bruce Dern “Nebraska” +3
 
Fringe:
6. Leonardo DiCaprio “The Wolf of Wall Street” (No change)
7. Forest Whitaker “Lee Daniel’s The Butler” -2
8. Christain Bale “American Hustle” -1
9. Joaquin Phoenix “Her” (No change)
10. Oscar Isaac “Inside Llewyn Davis” (No change)

Best Actress:

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1. Cate Blanchett “Blue Jasmine” (No change)

2. Judi Dench “Philomena” (No change)
3. Sandra Bullock “Gravity” +1
4. Meryl Streep “August: Osage County” -1
5. Emma Thompson “Saving Mr. Banks” (No change)
 
Fringe:
6.Amy Adams “American Hustle” (No change)
7. Adèle Exarchopoulos “Blue is the Warmest Color” +2
8. Julie Delpy “Before Midnight” -1
9. Brie Larson “Short Term 12” -1
10. Berenice Bejo “The Past” (No change)

Best Supporting Actor:

1. Jared Leto “Dallas Buyers Club” (No change)

2. Michael Fassbender “12 Years a Slave” +1
2. Daniel Bruhl “Rush” -1
4. Tom Hanks “Saving Mr. Banks” (No change)
5. Barkhad Abdi “Captain Phillips” +3

Fringe:
6. Bradley Cooper “American Hustle” (No change)
7. Jake Gllyenhaal “Prisoners” (No change)
8. Jonah Hill “The Wolf of Wall Street” (New)
9. John Goodman “Inside Llewyn Davis” -4
10. James Gandolfini “Enough Said” (New)

Best Supporting Actress:

1. Lupita Nyong’o “12 Years a Slave” (No change)

2. Oprah Winfrey “Lee Daniel’s The Butler” (No change)
3. June Squibb “Nebraska” +4
4. Julia Roberts “August: Osage County” -1
5. Octavia Spencer “Fruitvale Station” -1

Fringe:
6. Lea Seydoux “Blue is the Warmest Color” (New)
7. Margo Martindale “August: Osage County” -1
8. Melissa Leo “Prisoners” (No change)
9. Jennifer Lawrence “American Hustle” (No change)
10. Carey Mulligan “Inside Llewyn Davis” (No change)

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To No One’s Surprise, Aronofsky’s Noah Sees Backlash from Religious Community

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Darren Aronofsky’s sure-to-be-controversial new film Noah, based on the Old Testament story, is already getting less than stellar reviews from religious test audiences. Paramount is pushing for a different cut, in order to broaden the films appeal, even if it means going against Aronofsky’s artistic vision. Paramount has a huge investment in the 125 million dollar picture (Aronofsky’s most expensive yet), so they have reason for concern.

However, it should come as no surprise to them that anything less than “Kirk Cameron presents Noah” would rub religious fundamentalists the wrong way. The irony is that the atheist, Darren Aronofsky, is probably more familiar with the story of Noah than the zealots who decry his interpretation. Paramount’s best course of action is to trust in their award-winning filmmaker and embrace the controversy. As Life of Brian and Dogma have shown, religious protests will actually generate more revenue for the film.

Aronofsky has reportedly been dismissive of Paramount’s suggestions. Hopefully, he stays true to his vision, as the March 2014 release isn’t far off and this has the potential to be a truly original artistic endeavor. To make a half-assed biblical analogy, Aronofsky should continue to treat Paramount the same way Noah treated skeptics, with inattention.

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