Out in Theaters: HONEYMOON
Perhaps that's her intent after all, to show us something beautiful only to take it away, leaving tatters and fragments of what it meant to be able to connect with…
REVIEW
REVIEW
Out in Theaters: THE DROP
By the end of the film, we're met a slew of ugly, compromised characters and seen their chameleon turn from one thing to another. The archetypes fade away to reveal…
REVIEW
Weekly Review 53: TEXAS, VIETNAM, NOSFERATU, HOUSE, INNKEEPERS
Now that fall is here – I know it’s not the Autumn Equinox yet or anything but September = fall in my mind so deal with it – I’ve taken myself hostage to an onslaught of horror movies. As Above/So Below proved to be a mighty fun time at the cinema – though I am...
FESTIVAL
A Collision of Curt: Bumbershoot’s 1 Reel Film Festival Brings All the Shorts
Bumbershoot’s 1 Reel Film Festival, currated by the Seattle International Film Festival, was a charmed parade of “cinematic brevity” that came and went with a bang; a lavish celebration of the art form offering a smattering of delightful shorts. We had the in to cover as much as possible of this three day long engagement...
REVIEW
Weekly Review 52: AGUIRRE, RISKY, JODOROWSKY'S, 12 O'CLOCK, TAKEI
This week has held no press screenings until Thursday night which means I’ve had plenty of time to catch up on my hit list. As Above/So Below screened the night before it was opening, a generally telltale sign of bad things to come, but proved to be a madcap fright-fest. More by random chance than...
REVIEW
Out in Theaters: AS ABOVE/SO BELOW
This first film in Legendary's distribution deal with Universal is unfortunately not off to a promising start - with only $470,000 from 1,805 theaters during its opening night showing -…
REVIEW
Out in Theaters: LOVE IS STRANGE
Beneath Sachs' caring direction is a wealth of production touches to love, from the handsome set design to the cutting piano sonatas. Susan Jacob's classical musical selection is soft and…
REVIEW
Out in Theaters: THE NOVEMBER MAN
The question remains: will this be a success with audiences? All evidence points to a resounding meh but quite honestly, the meh-ness of The November Man might just prove the…
REVIEW
Weekly Review 51: GIGOLO, STAGE, CONGRESS, IMMIGRANT, FITZCARRALDO
From Woody Allen to Meatloaf, this installment of Weekly Review takes a look at some of the flicks of 2014 that haven’t met much fanfare. I visited John Turturro‘s Fading Gigolo, the SXSW horror movie Stage Fright, last year’s Cannes film The Congress starring Robin Wright, James Gray‘s historical drama The Immigrant and took a...
REVIEW
Out in Theaters: SIN CITY: A DAME TO KILL FOR
For my barrage of complaints, it wouldn't be fair to say that I hated Sin City: A Dame to Kill For because I quite honestly didn't. I enjoy the ultra-violent,…