Out in Theaters: LOVE IS STRANGE
Beneath Sachs' caring direction is a wealth of production touches to love, from the handsome set design to the cutting piano sonatas. Susan Jacob's classical musical selection is soft and…

Beneath Sachs' caring direction is a wealth of production touches to love, from the handsome set design to the cutting piano sonatas. Susan Jacob's classical musical selection is soft and…

The question remains: will this be a success with audiences? All evidence points to a resounding meh but quite honestly, the meh-ness of The November Man might just prove the…

From Woody Allen to Meatloaf, this installment of Weekly Review takes a look at some of the flicks of 2014 that haven’t met much fanfare. I visited John Turturro‘s Fading Gigolo, the SXSW horror movie Stage Fright, last year’s Cannes film The Congress starring Robin Wright, James Gray‘s historical drama The Immigrant and took a...

For my barrage of complaints, it wouldn't be fair to say that I hated Sin City: A Dame to Kill For because I quite honestly didn't. I enjoy the ultra-violent,…

If I Stay is the useless kind of movie for people who have nothing else to be bummed about. It invites you to wonder if people do sit around and…

At the tender young age of 12, Chloe Grace Moretz suited up in purple spandex and dropped profanities like a pirate’s parrot. Offensive to some and provocative to all, her role as Hit-Girl exposed her to the world in a big way and it was a career moved that has since paid off ten-fold. She’s...

It’s been more than two weeks since our last outing at the Weekly Review outpost so I’ve got a bit to catch up on. At the theater, I gobbled up Teenage Mutant Ninja Turtles, Into the Storm, The Giver and Love is Strange (review soon). Since most of the television shows I watch are off...

As Bridges gives a quietly devastating performance as the eponymous character, The Giver tip-toes to the finish as an occasionally whopping crowd-pleaser. Noyce's is a direly decorated dystopia sans the…
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A little bit uncomfortable in his armchair and quite obviously neurotic, Charlie McDowell may have been overshadowed by Mark Duplass, the star of his film The One I Love, but there was something to Duplass’ confidence in the man that made him stand taller, that made his shoulders broaden. For a first time director, working with...