post

Out in Theaters: ‘SPECTRE’

Before 2006, it might have seemed unreasonable to list a slew of gripes and grievances over the convenient scripting and utter ridiculousness of a Bond movie. This is a character who’s faced invisible cars, bagpipe flamethrowers, underwater jet-packs, cigarette rocket darts, deadly hats, and nigh unkillable nemeses. He once even fought a giant on the moon. Historically, Bond is an over-the-top super agent less grounded in reality than the WWE (emphasis on the word ‘historically’). But upon taking up the mantle in 2006, Daniel Craig has ushered in a new era of Bond; a super-serious, no-BS generation of the beloved super spy, 007. Craig’s a Bond more comfortable with a kill than a quip; an alcoholic outsider with rage issues, and yet someone who legitimately grapples with his license to kill. His Bond has been called gritty and callous, and for good reason. He’s been equal parts savior and butcher, still reeling years after the death of Vesper Lynd (Eva Green) and regularly drinking himself into moody reticence. This modern Bond is more character than caricature; a believable emblem of super-spy badass whose cloth more closely resembles Bourne than Batman. It should come as a major disappointment then that Spectre, the 24th onscreen iteration of the infamous British agent, is a monumental slip backwards into a 00-Stone-Age of yesteryear’s lackluster Bond. Read More

post

Out in Theaters: ‘BLACK MASS’

Black Mass is a stage upon which Johnny Depp has revived his career, and little more. As the film’s malevolent heavy and famed criminal overlord “Whitey” Bulger, Deep is borderline excellent, brooding and prowling around the screen like a silverback gorilla. On the streets, he’s equally guerrilla, taking down his enemies as well as former-confidantes-turned-rat in maelstroms of cold-shelled slugs. And though Deeps is admirable as the callous and cold Jimmy Bulger, the film itself overwhelmingly replicates its star’s unenviable personality traits in its cinematic aura, resulting in a film that’s even more callous and cold than the iconic gangster at its center. Read More