‘ONSLAUGHT’ Brings Adam Wingard Back to What He Does Best
A pulpy, bloody grindhouse throwback to when movies existed to make you feel something for 90 minutes and then let you get on with your life, Onslaught is a nasty…
REVIEW
REVIEW
‘BUDDY’ Turns Barney-Style Kids TV Into Slasher Horror
A concept gag about the inherent creepiness of children’s TV that translates surprisingly well to feature-film format, Buddy warps the familiar cheeriness of big, colorful foam mascots into something genuinely…
REVIEW
‘IDIOTS’ Is an Anarchic Dumb Comedy Cruising On Dave Franco’s Mania
Macon Blair’s 'Idiots' is a shaggy road-trip comedy about two shitheads driving another shithead to rehab. The performances, mainly Dave Franco’s, drive the piece toward comedic highs, but it feels…
REVIEW
Ridley Scott’s ‘THE DOG STARS’ Soars Before a Bumpy Landing
Predominantly a beautifully photographed post-apocalyptic character study, 'The Dog Stars' is at its best when focused on grief, companionship, and what makes survival worth the trouble. When it retreats into…
REVIEW
‘TONY’ Cooks
One of the finest films of 2026, Matthew Johnson's 'Tony' is a masterful exploration of one man's search for meaning and the demons we must continue to stave off to…
REVIEW
‘TEENAGE SEX AND DEATH AT CAMP MIASMA’ A Deeply Meta Exploration of Queerness in Slashers
'Teenage Sex and Death at Camp Miasma' from writer-director Jane Schoenbrun is a deeply meta horror curio whose commentary on the genre and the place of queerness within it eventually overwhelms…
REVIEW
‘I WANT YOUR SEX’ Explores the Kinky Spaces Between Desire and Control
Gregg Araki delivers a provocative, visually vibrant erotic thriller anchored by terrific performances from Olivia Wilde and Cooper Hoffman with 'I Want Your Sex', a horny exploration of the complicated…
REVIEW
‘SPIDER-MAN: BRAND NEW DAY’ Lets the Spider Eat the Man
'Spider-Man: Brand New Day' toys with the weight of self-erasure as Peter Parker disappears wholly into Spider-Man in this third sequel that still manages to remind audiences why (occasionally) superhero…
REVIEW
I Walked Out of Nicolas Winding Refn’s ‘HER PRIVATE HELL’
So while I cannot in good faith assign NWF's latest a letter grade, what I can say is that what I did see ranks among the worst stretches of movie…
REVIEW
Monsters, Myths, and Morality Stand Between a Hero and Home in Christopher Nolan’s ‘THE ODYSSEY’
Christopher Nolan stages an accessible, modernized retelling of the archetypal hero's journey with visual flair, technical wizardry, and enough monsters, myths, and spectacle to make for a thoroughly entertaining adventure.…