Women He’s Undressed, Gillian Armstrong’s new documentary about Hollywood costume designer Orry Kelly, opens over an unnaturally-saturated view of a blue sky, with a quote from actress Fanny Brice: “Let the world know who you are because sooner or later, if you are posing, you will forget the pose; then where will you be?” The stage is thus set for a bio-documentary that will reveal some hidden aspect of its subject, guaranteeing an interested viewer who will surely be surprised – and likely touched – by the revelation to come. Read More
TIFF ’15 Review: ‘MAGALLANES’
Primary Peruvian exports include non-monetary gold powder, cooper ores, concentrates, cathodes and non-crude oil. You can now add to the list supremely compelling cinema as Magallanes, the product of first-time Peruvian director Salvador del Solar, is a true festival stunner. Soaked in a gleeful amount of real world suspense and intensified by rich dramatic character work from its apt principal cast, the slow-but-steady-building drama-thriller is a certifiable symphony of hard-won victories – both from a narrative and practical standpoint. Read More
TIFF ’15 Review: ‘DER NACHTMAHR’ (The Nightmare)
If you wiggle a pencil fast enough, it appears soft. Rubbery. Made of flesh. It’s only when you reach out and touch the pencil that you realize it’s made of hard wood. In a film, we cannot reach out, we cannot exert force or physical contact, so we rely on cues that the filmmaker plants within the picture; clues that help us distinguish the realm of the real from that of the imaginary. Der Nachtmahr (The Nightmare) is an exercise in distinguishing the real from the imagined through the lens of what is essentially ET’s aborted fetus. Read More