Film Reviews, Interviews and Articles
With my Top Ten Best Films of 2018 officially done and out of the way, it’s time to highlight a few other films that flew under the radar in 2018. This time around, I wanted to highlight movies that, for some reason or another, did not connect with audiences, that were shuffled off to the periphery, failed to perform at the box office, and, by and large, are met with responses of “Huh?” whenever you mention them to anyone outside of the inner circle of filmoholics. Read More
Justin Benson and Aaron Scott Moorhead are a tactile duo, crafting thought-provoking, effects-driven, genre-defying features filled with big ideas on a micro-budget. Their last film, Spring, which can only be described as a “romantic body horror” and was a favorite for many who sought it out after its 2014 Toronto Film Festival debut, failed to find much of an audience among the general public but solidified the partnership, who had previously collaborated on 2012’s low-budge horror flick Resolution, as a pair for cinephile’s to keep a close eye on. Rather than pulling in the reins, the creative partners have gone even bigger with The Endless, a heady science-fiction-slash-horror—slash-cult-thriller-slash-sibling-drama that’s ambitious to a fault. Read More