As the first season dictates, crime predestines characters into its fold; their adopted second selves aren’t themselves, and the inevitability of the crime’s determinism has approached. In season one, after they ostensibly solved the crime, we saw Rust and Marty’s interlude draw out seemingly grounded as repaired people then pulled back into the crime’s undertow as they re-disintegrated. We only experienced a blip in this season, not even an episode, as this iteration re-awakens half way through.

And like the first season, the bad men seem amorphous, but there’s always one face formed of many like a mosaic from a distance, one singular expression–and it will reach for everything inside of them–at least, that’s what I’ve been hoping for. With three more episodes left, this dark experiment has a chance for redemption to have its potential culminate in entirety. To pull it off, every character needs to be at the end of themselves and turn back as they face new lengths in human amorality.

Post shoot-out mortem, a new stasis with new self has settled in. The investigation’s been shut down by State Attorney General Geldof, pinning Caspere’s murder on Amarilla from the Mexican outfit–and, strangely announcing his run for governor.

Thus, Velcoro evades his conscience by dropping the good-cop, bad-cop posture and fully commits to ambiguity by becoming a private investigator while still holding enforcer title with Frank in the midst of an ongoing custody battle; Bez is demoted to the sheriff’s office evidence lock up while pursuing Vera’s disappearance on her own timetable; Woodrugh is promoted to detective but withdrawn from the field to insurance fraud while facing extortion from Lindel; Jordan questions Franks recidivist business practices as the only way out.

But all of the character’s now independent lives and investigations evolve to one focal point of conspiracy. Frank orders Velcoro to snoop on Blake when he discovers him trafficking Frank’s prostitutes to his adversary Osip at a clinic with Pitlor and Tony present. The story takes a hard turn when Bez finds a political connection to Caspere’s hotsheet pawned blue diamonds. With plenty of evidence on the table, state investigator Davis reopens the investigation incognito. Davis wants evidence of collusion between Chessani’s political machine and the state attorney general’s chest full of campaign money–thus, no surprise to Velcoro that the state’s investigation was smoke and mirrors. Woodrugh and Bez match Caspere’s former movements to an a rural abandoned commune fitted with a bloodied sexual dungeon. Velcoro bitch slaps Pitlor around when he spits up old business between Caspere and Chessani involving escorts and real estate deals–all filmed and kept in Caspere’s pilfered hard drive to blackmail influential guests if threatened.

While Frank has Velcoro by the strings, he attempts to leverage his former place into the corridor by blackmailing a business associate who now operates the development company that holds the land to be bought by the government. He was complicit with Frank and his former waste company in dumping contaminants on the farmland that Bez and Woodrugh discovered to lower its purchase value for the railway. But the person whom Frank then sold it to had his life tampered with involving a car that never ends well with a cliff. Frank is given a quid pro quo back into the corridor if he finds Caspere’s stolen hard drive inspired by cinema verite–this same associate that attended the escort parties Pitlor divulged to Velcoro.

As Velcoro confronts Davis about his grit, another self is revealed. Davis tells him his wife’s rapist was forensically affirmed a few weeks ago–a different lead than what Frank lured him into. As Frank holds Jordan after thinking about selling their stakes and starting over, he looks up at the ceiling and says, “No more water stains.” The dark eyes have closed for the moment.

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For prior Silver Screen Riot True Detective coverage, find archive reviews below:

TRUE DETECTIVE Season 2 Episode 1 Review “The Western Book of the Dead”
TRUE DETECTIVE Season 2 Episode 2 Review “Night Finds You”
TRUE DETECTIVE Season 2 Episode 3 Review “Maybe Tomorrow”
TRUE DETECTIVE Season 2 Episode 4 Review “Down Will Come”

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Down Will Come is already here. DaVinci’s desecrated water table has waned Frank Semyon’s (Vince Vaughn) land as it tries for purity out of its poisoned seeds. We further wind down the dark spine into DaVinci’s ethos as the show’s symbology continues to open up like the liquid fingers of a black ink stain.

Velcoro (Colin Farrell) and Bez (Rachel McAdams) make a blip to her father’s spiritual commune to flesh out Irving Pitlor’s (the slithery, creepo psychiatrist that succinctly analyzed Caspere’s sexual depravity) backstory. They discover Pitlor came from the Chessani lodge, the family’s branded spiritual sect that crossed paths with her father’s fledgling movement. After divulging Caspere’s picture and their investigation, her father completes the circle with a hippie flashback picture of the wicked trifecta–another bad avocado, but re-stated in quite a stark yin and yang way–revealing what was obscured but obscuring what will be revealed. Continuing with the drama’s unfolding, we’re now seeing the intertwining histories mainlined to the present and inevitable future.

Velcoro and Bez track down Caspere’s former movements in vast tracts of land contaminated with various metal pollutants, as Velcoro hands Bez a determinism her state investigation won’t change–money and how the hand holds it. Bad land with the glint of a high-speed silver bullet cutting through it makes it badder, and they need a hangman as DaVinci’s dynasty follows through with its century old logical conclusion.

The dark pair of eyes grow darker as they follow Frank. The worse self is becoming his best self as he strongarms old associates to keep from bottoming out and continuing the series’ deep theme. We even watch Velcoro’s inner light tested under Frank’s shadow as Frank tries to lip him out of being a cop and into his fold. Frank’s recidivism is humming with current as he nails his fate to the retrofitted nightclub.

Woodrugh (Taylor Kitsch) is accosted by journalists for his secret part in a black ops expose, but more so by his conscience for sleeping with his former combat lover. But his prost canvassing reveals a hooker that tried to pawn some of Caspere’s trinkets. Another pair of fingerprints is dusted off belonging to a Mexican cartel underling as they track down an infinite omen.

Bez speaks of memories like the figurines staring back at her. How her dead mother tried to buff them to a shine out of driftwood.

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For prior Silver Screen Riot True Detective coverage, find archive reviews below:

TRUE DETECTIVE Season 2 Episode 1 Review “The Western Book of the Dead”
TRUE DETECTIVE Season 2 Episode 2 Review “Night Finds You”
TRUE DETECTIVE Season 2 Episode 3 Review “Maybe Tomorrow”

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Follow Silver Screen Riot on Twitter

The Conway Twitty impersonator lip syncing “The Rose” deified by the David Lynchian purple blue nebula, may superficially seem like a cheap dressed up redneck mind-fuck, Lone-Star laced with LSD, as season two intentionally commits a slow suicide into the oblivious junkyard of one-hit wonders; not to mention the trippy and densely codified dialog between Velcoro  (Colin Farrell) and his father. But it challenges the audience to lift its eyelids and contemplate a different and deeper sphere of influence. The ditty “The Rose” defines love as a flower, which grows with courage into spring with little sunlight through the bleak winter or, in other words, an endless trial–the song is about change. Read More