Lovely Sarah Gavron arrives on the scene with Suffragette, a wanna-be prestige picture with award’s contender written back-and-front. Though I had a fair share of issues with the film itself [our review], Gavron provided a right compelling interview. Sarah and I talked the casting process, getting Meryl Street onboard, women in the film industry, transitioning into larger-scale projects, directorial influences and the battle between historical accuracy and narrative tread. Read More
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