In August of 2007, Superbad hit theaters and the timing couldn’t have been more perfect. I had graduated from high school three months earlier and though I’d never sat in a ride along with infantile po-po, or forced to sing karaoke to a room full of coke heads, the theme of life’s defining crossroads and their inevitable effect on friendship struck a nerve. Underneath the playful sheen of a raunchy teen comedy, Superbad spoke to the challenges of an unknowable future and the tectonic shifts that crackle in the multitudinous friendships you’ve curated over the years. A few days after Superbad, I left for college. Read More
Out in Theaters: VACATION
Harold Ramis took the family vacation movie off cruise-control in 1983, proffering a deliciously crass road trip film lead by an insolent (and borderline sociopathic) father figure in Chevy Chase and penned by none other than the mighty John Hughes. A sickly twist on nuclear morals and unadulterated, thoroughly punitive obsession, National Lampoon’s Vacation etched a dark twist on small town American dreams, couching the woes of extended family, the thirst for adventure and the troubles of enclosed spaces in with themes of adultery, abuse, abandonment and totally warped family values; with a corporate theme park ironically standing in as a last bastion of joy. Ramis’ was no small feat – he had crafted a thing of jet black social commentary that sang out with sharp barbs of comedy. Read More