Danny Boyle changed the zombie landscape in 2002 with 28 Days Later. Gone were the Romero’s shambling zombified creations, replaced by manic, hyper-speed death darts teeming a land where the human element was just as, if not more, dangerous than their undead counterparts. The horror of these monstrosities were reflected, and even overshadowed, by the horrors of humanity’s ability for societal cannibalism. This theme has been replicated in the sub-genre ever since, with Robert Kirkman’s Walking Dead comics taking this thread to new extremes and the record-smashing AMC series following suit. Read More