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‘BLACK PHONE 2’ Doesn’t Phone It In, But Still Misses the Call

Black Phone 2, a snowy and sentimental spooky sequel from Scott Derrickson, is a mixed bag of horror do’s and don’ts. Set three years after the events of the first film, where kidnapped child captive Finney fought and killed a serial child murderer known as the Grabber (Ethan Hawke) by communicating with his deceased victims through a kind of supernatural apparatus, i.e., a black phone, the sequel picks up with more messages from the great beyond. Derrickson’s followup is thoughtful and meditative in places, well-acted in others, shoddily written here and there, full of stylistic choices but light on actual scares: a menagerie of successes and shortcomings stuffed into one haunted receiver. Read More

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Out in Theaters: ‘DOCTOR STRANGE’

With Doctor Strange, Marvel pries open a doorway to a new realm, one filled with magic and mysticism, dark dimensions and malevolent deities. Filled with heady three-dimensional visuals and eye-bulging psychedelic set pieces, Doctor Strange fulfills the promise of its inspired marketing push. That is, it is as close as Marvel has come to being Inception on crack. And let me assure you, that is a good thing. Led by a game Benedict Cumberbatch playing on type as a smarmy elite member of the intelligentsia, Doctor Strange nonetheless suffers the Marvel formula, the “portal problem” and yet another utterly disposable single serving villain. Read More