The American horror movie has a tradition of not crossing certain boundaries. There’s a reason that the most disturbing horror movies in the world are often born outside the borders of the United States, imported from counties like Serbia, Denmark, the Netherlands, Japan, France, and Italy. Places with brutal histories (a commonality across all countries, unfortunately) wherein their countrymen acknowledge and grapple with their homeland’s wrongdoings through the medium of film. Something the American filmmaker, and the studio systems backing them, are oftentimes less comfortable with. The American appetite is just not as well-versed in particular extremities, like accepting the horrors of its own bloody past and desperate present. Read More