BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, April 28, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

#REVIEWS

FESTIVAL
Sundance Review: REVERSAL

Sundance Review: REVERSAL

There’s a flicker of hope early on in Reversal. A scuzzy captive batters her captor, gaining the upper hand and chaining him in the very binds she was kept in for who knows how long. She scours the house for car keys, stumbling upon a folder filled with Polaroids of similarly imprisoned females. She rages...

FESTIVAL
Sundance Review: THE OVERNIGHT

Sundance Review: THE OVERNIGHT

Last year, Patrick Brice showed up to SXSW with Creep. Devilishly crafty and expertly focused, it fell in with the usual suspects of found footage horror, even though it was so much more than just another point and shoot, “gotcha!” scare effort. The natural tension that Brice was able to tease out of a scene...

FESTIVAL
Sundance Review: Z FOR ZACHARIAH

Sundance Review: Z FOR ZACHARIAH

There are so many pivot points in Z for Zachariah that it becomes hard to nail down exactly what director Craig Zobel intended for it. At one point, it seems decidedly about gender politics, at another about race relations, and eventually it boiled down to themes of suspicion, greed and jealousy. Spliced with a domineering...

FESTIVAL
Sundance Review: THE WITCH

Sundance Review: THE WITCH

What do 1630, a silver cup, Christian fervor and a goat named Black Phillip have in common? The Witch. Unholy goodness through and through, Robert Egger‘s feature film debut is a horror masquerading as a costume drama that’s as beady, black and misshapen as the center of a goat’s eye. Beneath the dirt-stained, leather-bound waistcoats,...

FESTIVAL
Sundance Review: THE END OF THE TOUR

Sundance Review: THE END OF THE TOUR

To put a pin in the beauty of The End of the Tour is a philosophical venture potentially as challenging as James Ponsoldt‘s latest accomplishment. Detailing a three-day exchange between Rolling Stones journalist David Lipsky and rock star author David Foster Wallace, Ponsoldt’s film is talky and emotionally whirling, thick with dry-mouthed moments and cemented...

FESTIVAL
Sundance Review: A WALK IN THE WOODS

Sundance Review: A WALK IN THE WOODS

Robert Redford‘s adaptation of Bill Bryson‘s popular 1998 memoir A Walk In the Woods is an unremarkable journey with a short sprinkling of low-key chuckles and a heaving dose of schmaltzy sentiment. As Redford’s travel companion, co-star Nick Nolte manages to give this low-percolating buddy comedy/road-movie-on-foot at least some minor footing, but its not enough...

REVIEW
Out in Theaters: THE BOY NEXT DOOR

Out in Theaters: THE BOY NEXT DOOR

Step Up's Guzman is awful in the leading man's shoes, all kinds of ham and cheese in a role that might have even thrived in the hands of a Dan…

REVIEW
Weekly Review 69: TURNER, MAZE, INHERENT, UNBROKEN, SELMA, CAKE, EYES, CITIZENFOUR

Weekly Review 69: TURNER, MAZE, INHERENT, UNBROKEN, SELMA, CAKE, EYES, CITIZENFOUR

This week has been absolutely insane what with playing catch-up to all the big awards films I missed on my holiday, cracking out a Top Ten of 2014 List, a 50 Most Anticipated Films of 2015 list, Oscar Nominations Predictions, Oscar Nominations Reactions, Seattle Critics Film Awards and drafting reviews of Michael Mann‘s horrible Blackhat, the...

REVIEW
Out in Theaters: THE WEDDING RINGER

Out in Theaters: THE WEDDING RINGER

Striking at the potent middle ground where sentiment and humor meet, The Wedding Ringer caps off with an emotionally-rending third act that, although predictable, features some of Hart's most genuine…

REVIEW
Out in Theaters: PADDINGTON

Out in Theaters: PADDINGTON

Though the third act fails to get off the ground - literally and figuratively - in much of the same ways that the first two do, the accordant motif of…