BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, April 28, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

#REVIEWS

REVIEW
Out in Theaters: SOUTHPAW

Out in Theaters: SOUTHPAW

Though lacking on original dramatic upper cuts, Southpaw offers a bevy of excellent performances from its more than game cast. But with a share of technical errors behind the camera,…

REVIEW
Out in Theaters: PIXELS

Out in Theaters: PIXELS

There’s more effort here than in most Adam Sandler movies but Pixels’ half-baked 80s video-game-cum-invasion-movie still mostly reeks of jack-assery.

REVIEW
Out in Theaters: TRAINWRECK

Out in Theaters: TRAINWRECK

Considered a "work in progress", at two hours, Trainwreck is already more trim than most Apatow films - his last two films clocked in at 134 and 153 minutes -…

REVIEW
Out in Theaters: THE STANFORD PRISON EXPERIMENT

Out in Theaters: THE STANFORD PRISON EXPERIMENT

All the authenticity The Stanford Prison Experiment brings to the table establishes an alarming, visceral sense of reality but is also accountable for a skosh of its failures. Because of…

REVIEW
Out in Theaters: LILA & EVE

Out in Theaters: LILA & EVE

 Lila & Eve is an attempted female vigilante film with strong leading actresses, but has identity issues. It falls short of being a thriller or serious drama.

REVIEW
Out in Theaters: ANT-MAN

Out in Theaters: ANT-MAN

Ant-Man is pest controlled, a refreshing take on the increasingly stale superhero concept. Though Rudd might not be the coolest Ant-venger yet, he packs a concentrated punch in a smaller…

REVIEW
Documentary Dossier: CARTEL LAND

Documentary Dossier: CARTEL LAND

The anonymous cartel members who open and close the film say they don’t expect to ever be out of a job. They don’t believe anything can put an end to…

REVIEW
Documentary Dossier: THE LOOK OF SILENCE

Documentary Dossier: THE LOOK OF SILENCE

As the agents of genocide repeat "The past is past", the delicacy of Indonesia's current political balance becomes a focal point of fiercely high intensity. At one point, a politician…

REVIEW
Out in Theaters: MR. HOLMES

Out in Theaters: MR. HOLMES

Condon hit a triumphant low point two years past with The Fifth Estate - a film I named the fifth worst movie of 2013 - but with Mr. Holmes has…

REVIEW
Out in Theaters: 10,000 KM

Out in Theaters: 10,000 KM

Compulsively watchable and at times very sexy, 10,000 km is overall an interesting and promising debut from first-time feature director Carlos Marques-Marcet. Whether or not you found the protagonists as…