post

Documentary Dossier: ‘RACING EXTINCTION’

Racing Extinction, Louie Psihoyos’ second documentary following 2009’s Academy Award winning The Cove, is a call to action regarding humanity’s role in the currently-unfolding extinction event. As various experts explain, we are living in the so-called Anthropocene epoch, named for the measurable effect of human beings’ behavior on the various life forms and habitats on earth.

I hesitated, at first, over whether to include “so-called” or any other indications of controversy surrounding the fact-claims of the film; there is some question, limited mostly to the far right in this country, of whether or not “global warming,” for example, exists, and further whether it is the result of our behavior, or simply a natural development; however, I’d rather not sport with your intelligence, fine readers, and I think we can get to what really matters: the quality of the film itself.
Read More

post

Out in Theaters: ‘STONEWALL’

Stonewall is the perfect example of a film whose subject I knew very little about going in (I welcome any scorn or derision aroused by this statement and deflect it with my proud shield of historical ignorance). Coming out of the film, I felt like I hadn’t learned much. My minor due diligence (Wikipedia to the rescue) reported that Stonewall was historical hallowed grounds; a staging area for the first major gay rights protests in the late 1960s. Positively glowing with awards potential, the Stonewall plot could have made for one of this year’s celebrated historic biographies. Rather, the film is decidedly more Newsies than Milk. Read More

post

Out in Theaters: ‘TIME OUT OF MIND’

Time Out of Mind is about a reconciliation between a homeless man and his estranged daughter. The homeless man, George, (Richard Gere) has been a bum loafing around the last ten years absent from his daughter’s life. After a building superintendent (Steve Buscemi) kicks him out of an empty apartment — and later, the same building — where George squatted, he’s left in the cold, so he makes a desperate reach to see his daughter, Maggie (Jena Malone), a young bartender.   Read More

post

Out in Theaters: ‘GOODNIGHT MOMMY’

A midnight masterstroke of paranoia and syngenesophobia, Goodnight Mommy toys with the brittle psyches of a nuclear family like a child toasting ants with his magnifying glass. Tensions reach a fever-pitch as roguish twins, suspecting their mother fresh home from cosmetic surgery is not who she claims to be, decide to launch all-out warfare. The ensuing chronicling of domestic distrust is taken to fiery extremes; the fallout will no doubt prove hard to bear for some viewers – both for its graphic depictions of violence and for the film’s deliberate pacing – but those willing to wait it out are in store for a nasty slice of psychological horror pie.
Read More

post

A midnight masterstroke of paranoia and syngenesophobia, Goodnight Mommy toys with the brittle psyches of a nuclear family like a child toasting ants with his magnifying glass. Tensions reach a fever-pitch as roguish twins, suspecting their mother fresh home from cosmetic surgery is not who she claims to be, decide to launch all-out warfare. The ensuing chronicling of domestic distrust is taken to fiery extremes; the fallout will no doubt prove hard to bear for some viewers – both for its graphic depictions of violence and for the film’s deliberate pacing – but those willing to wait it out are in store for a nasty slice of psychological horror pie.
Read More

post

Out in Theaters: ‘COOTIES’

Cooties is Children of the Corn by way of Daddy Day Care. A tactless, haphazardly unfunny, totally DOA clunker, horror-comedy Cooties is the brainchild of “that guy” Leigh Whannell (of the Insidious and Saw franchises) and a severely handicapped brainchild it is. Read More

post

Out in Theaters: ‘GRANDMA’

“Time passes – that’s for sure” – an Eileen Myles quote that opens the film Grandma and could have just as easily come spilling from the churlish mouth of Lily Tomlin’s titular character. After all, Tomlin’s Elle Reid is no stranger to her own passing time. In her words, “I’m rapidly approaching 50” (Elle’s deadpan is matched only by her sense of irony –  Tomlin has around rounded her third quarter-century.) Her thick sheen of sarcasm is persistently cutting and deeply riotous and between the sharp writing and Tomlin’s pitch-perfect comic timing, there’s many good reasons to see Grandma. Forget that Tomlin’s name will be thrown all up and down the Oscar buzz aisle because award or no, her presence here is absolutely aces. Read More

post

Out in Theaters: ‘PAWN SACRIFICE’

Chess players be mad crazy. This is the conceit of Edward Zwick’s latest film, Pawn Sacrifice. Telling the tale of Bobby Fischer‘s rise to the title of Chess World Champion, Zwick washes away the taste of Bobby Fischer the puny, prodigal chessmaster like with a mind-erasing swill of Everclear, replacing it with Bobby Fischer, megalomaniac, paranoid, delusional, dedicated anti-Semite. His competition, Boris Spassky, does not fare much better. These dudes ‘r’ nuts. Read More

post

Out in Theaters: ‘BLACK MASS’

Black Mass is a stage upon which Johnny Depp has revived his career, and little more. As the film’s malevolent heavy and famed criminal overlord “Whitey” Bulger, Deep is borderline excellent, brooding and prowling around the screen like a silverback gorilla. On the streets, he’s equally guerrilla, taking down his enemies as well as former-confidantes-turned-rat in maelstroms of cold-shelled slugs. And though Deeps is admirable as the callous and cold Jimmy Bulger, the film itself overwhelmingly replicates its star’s unenviable personality traits in its cinematic aura, resulting in a film that’s even more callous and cold than the iconic gangster at its center. Read More

post

Out in Theaters: ‘EVEREST’

Human beings simply aren’t built to function at the cruising altitude of a 747. At 29,000 feet, you body is literally dying. Lack of oxygen becomes a toxic, poisoning the brain and forcing your body to shut down non-vital organs. At such heights, it’s near impossible to breathe without a tank of O. Beholding Everest on a proper IMAX screen, I too found myself gasping for air. It’s literally breathtaking. Read More