BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, April 28, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

#REVIEWS

REVIEW
Out in Theaters: ‘THE HANDMAIDEN’

Out in Theaters: ‘THE HANDMAIDEN’

Chan-wook Park’s ‘The Handmaiden’ smartly blends a historical thriller with a sultry lesbian romance, making for a film that’s as difficult to categorize as it is utterly entrancing. Devious, dark…

REVIEW
Out in Theaters: ‘OUIJA: ORIGIN OF EVIL’

Out in Theaters: ‘OUIJA: ORIGIN OF EVIL’

‘Ouija: Origin of Evil’ is an awesome rarity in that it’s an excellent sequel to a truly horrible original film. Mike Flanagan (Hush, Oculus) mixes uncomfortable comedy with legitimate scares…

REVIEW
Out in Theaters: ‘IN A VALLEY OF VIOLENCE’

Out in Theaters: ‘IN A VALLEY OF VIOLENCE’

Inlaid with rich gallows humor and one or two spine-chilling tête-à-têtes, the appeal of Ti West’s 'In a Valley of Violence' is evident if the execution just isn’t quite up…

REVIEW
Out in Theaters: ‘THE BIRTH OF A NATION’

Out in Theaters: ‘THE BIRTH OF A NATION’

Nate Parker's 'The Birth of a Nation' is a stormily crafted character piece with faint structural limitations. Writing, directing, producing and starring as preacher-turned-revolutionary Nat Turner, Parker lights an artful…

REVIEW
Out in Theaters: ‘THE GIRL ON THE TRAIN’

Out in Theaters: ‘THE GIRL ON THE TRAIN’

Soapy psychosexual thriller 'The Girl on the Train' applies Emily Blunt's tremendous talents to tell a fairly rote murder mystery melodrama. Director Tate Taylor struggles to apply visual style but…

REVIEW
Out in Theaters: ‘AMERICAN HONEY’

Out in Theaters: ‘AMERICAN HONEY’

Admirably unfocused and nearly three hours long, 'American Honey' is a behemoth of modern American cinema that dares to tell a coming-of-age drama in untraditional fashion. That it feels cut…

REVIEW
Out in Theaters: ‘DEEPWATER HORIZON’

Out in Theaters: ‘DEEPWATER HORIZON’

Robust visual effects - including an explosion count that would make Michael Bay cream himself - and a pants-shitting soundscape pair with an intelligent, emotionally honest and sobering dramatic account…

REVIEW
Out in Theaters: ‘MY BLIND BROTHER’

Out in Theaters: ‘MY BLIND BROTHER’

'My Blind Brother' isn’t as out of sight as the talented trio at its center suggests but its marriage of standoffish sarcasm and heartfelt familial melodrama makes for a mostly…

REVIEW
Out in Theaters: ‘GOAT’

Out in Theaters: ‘GOAT’

Frat bros and Jonas bros populate Andrew Neel's taxing melodrama Goat, an impregnable profile of the imposing weight of masculinity and the mental bill of fraternal hazing.