“Appropriate Behavior”
Directed by Desiree Akhavan
Starring Desiree Akhavan, Rebecca Henderson, Halley Feiffer, Scott Adsit, Anh Duong, Arian Moayed
82 minutes
U.S.A./United Kingdom

Appropriate Behavior might be another entry in the growing ‘struggling NYC girl’ genre but it’s generously funny, sexy (in a weird, gangly way) and has a great cultural bent to boot. I’ll admit that the synopsis, which tells us of her New York habitat, her wishy-washy sexual preferences and her strict Persian parents, is as much a turnoff as any Sundance unknown but pure chance and serendipitous scheduling got me in the theater and I’m certainly glad it did.

Writer, director and star Desiree Akhavan has broken out in a big way. She says that she’s been developing Appropriate Behavior since she was a mere 10 years old when she realized just how strangely unique her position as a bisexual, female, Iranian-American was. Caught between an Iranian family based in tradition, jolted by post-911 distrust of immigrants, and an America staggering towards a growing acceptance of the “other,” Akhavan sees herself as a bit of a mutt – a sometimes sinking perspective that rings out through her native. In Akhavan’s eyes, creating this kind of film was a therapy of sorts. A way for her to come to terms with her own instinctual predilections. Trapped somewhere between the pull of tradition and self-discovery, her own identity is the crossroads of the stratification between the old world and new. Let’s just say that being a gay child of an immigrant ain’t always peaches and cream.

As Shirin, Akhavan is able to play a shade of herself, letting this semi-autobiographical tale spin a yarn at once both nonfictional and ethereally make believe. We’re left wondering exactly how much of the material comes from the playbook of Akhavan’s true life escapades but regardless of what is fact and what is fiction, her ethos is heartfelt, her emotional stake crystal clear and her intent never wavers. In a sort of coming out party, she lets Appropriate Behavior function like a celebration of her once hidden self exploding free. As such, her shaky voice shines through with purpose and unshuttered dignity.

Arkhavan’s freshly forthcoming perspective drives this deadpan narrative, allowing herself the creative liberty to spread wings in oft tread but nonetheless exciting directions. For a freshman effort, she shows a fine balance of caustic “could only be New York” humor, dreary but not-too-dreary dramatic overture and a topping of love story that actually allows the audience to dig our heels in. For all the well-intended love stories that grace the scene each year, it’s always appreciated to get one that feels earnest and real – an unfortunate rarity. Seeing Shirin’s often uncomfortable nesting ways against girlfriend Maxine’s (Rebecca Henderson) ‘girl who know’s what she wants’ brand of strength provides some genuine relationship moments and lays the groundwork for some nice, and not so nice, chemistry between the two.

Never too standoffish and not afraid to leave things unresolved, Arkhavan has done a fine job her first time out. With her stony guile and smart directorial hand, it’ll be interesting to see what territory she’ll foray into next. Now that she’s touched on those issues most important to her, we’re left to wonder what else is left beneath the hood.