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Liam Neeson Wields a New Particular Set of Skills in ‘THE NAKED GUN’

Over 30 years after The Naked Gun 33⅓, a risky comic resurrection is now playing at your local theater. In an age of genre-bending comedy hybrids (see The Fall Guy, meh) and niche, catered offerings (see Friendship, loved), the traditional studio comedy has basically vanished. What used to be a regular fixture at the cineplex is now nearly extinct. The new Naked Gun isn’t just trying to revive that format; it’s a full-on throwback to a time when comedies weren’t afraid to be stupid, loud, and singularly focused on laughs. And while this movie is definitely all of those things, it’s also just plain funny. That Liam Neeson, now tragically deep into his post-Taken run of stoic, violent men with a particular set of skills, is anchoring one of the most laugh-dense movies in years feels like a joke in itself. But somehow, it lands. Read More

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Fantastically Dull ‘THE FANTASTIC FOUR: FIRST STEPS’ Miscalculates Introduction to First Family

The MCU is dead. The MCU is back. The MCU is dead. The MCU is back. Someone put a fork in it. She’s cooked. But just you wait until the next one! And on and on the content carousel spins. Even as someone who had gripes with the Marvel machine well before Endgame, I found myself tossing out more than a few positive reviews in that era. In fact, there was a time when I felt rather pot-committed to the whole enterprise, even when its storytelling got obnoxiously self-aggrandizing and interconnected. Post-Endgame, it’s mostly been a tragic slide into mediocrity with some blips of quality. A few titles have become the lone bright spots in an otherwise bleak Phase 4/5 wasteland. Meanwhile, Ant-Man: Quantumania, The Marvels, Thor: Love and Thunder, Eternals, Captain America: Brave New World, and Thunderbolts all earned a solid splat from my little corner of the internet. Now, with James Gunn’s DCU breathing heavily down Marvel’s neck and the franchise’s future hinging on two upcoming Avengers movies (featuring Robert Downey Jr. returning, but as Doctor Doom, for reasons not disclosed here), The Fantastic Four: First Steps from director Matt Shakman arrives with downright heroic expectations. Expectations that are promptly crushed under the weight of its own blandness.    Read More

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Devilishly Fashionable ‘CRUELLA’ Sees Emma Stone Break Bad On the Catwalk 

Turning any iconic Disney villain into a sympathetic (but still devious) protagonist is no easy feat, particularly when that task involves ‘both sides’ of turning 101 Dalmatian puppies into haute couture. Disney’s atrocious Maleficent origin story wholly bungled the task, dropping the bag on transforming that striking villain into a whole-cloth anti-hero, instead defanging and deflating the malevolent fairy, leaving her all but unrecognizable, costume aside. With Cruella, Disney course-corrects on that previous failing, striking the right balance between exploring the roots of its devilish protagonist while still remaining true to her animated rancorous counterpart. Read More

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FYC Capsule Review: ‘RICHARD JEWELL’ 

Clint Eastwood can’t hide his absolute disdain for the media in cogent but flat biopic Richard Jewell, which tells the story of a low-rent security guard who stumbles across a bomb. Under the scrutiny of the FBI and media (45’s biggest domestic adversaries), Richard Jewell’s heroic act is twisted to look like the act of a deranged false flagger. The film boasts a few solid performances, especially from the always reliable Sam Rockwell and Paul Walter Hauser in the title role, but features a super problematic depiction of Trump-approved #FakeNews media sources, who are absolutely unscrupulous in their fact reporting and give precisely zero fucks as to the collateral damage of false reporting. Were this all in service of a sturdy biopic, it might be easier to overlook the full-breasted dog-whistling but Richard Jewell remains too hostage to predicability to rise above the troubling political undercurrents raging through Eastwood’s latest. (C) Read More