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SUNDANCE 2020: Amusing ‘DOWNHILL’ Remake Assumes American Stance, Lets Comic Giants Ride

A remake of the critically-acclaimed Swedish drama Force Majeure, Downhill is kind of exactly like most American remakes of critically-acclaimed foreign dramas: amusing but unnecessary. A blue-square redo of a double-black-diamond story. With the hard-packed dual casting of Will Ferrell (who’s better here than he’s been in years) and Julia Louis-Dreyfus (who also produced), the dramedy from The Way Way Back co-writers and directors Nat Faxon and Jim Rash borrows the premise and some of the critical breaking points from Ruben Östlund’s film but also finds room for new traumas and dark comedic moments to unfold. Read More

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Out in Theaters: ‘ANNABELLE: CREATION’

No need to beat around the bush, Annabelle: Creation is both significantly better than the 2014 Annabelle, a fast-money gambit courtesy of hack director John R. Leonetii, and not nearly as good as The Conjuring (or the surprisingly still terrifyingThe Conjuring 2 for that matter). There’s very little that might qualify as new in this prequel to a prequel and, as should serve as no real surprise, the scares are limited to the “things go bump in the night” variety. Nothing really dares to linger beyond curtains, aside from the fleeting memory of a few well-timed startles here and there, but David Sandberg, director of last year’s somewhat undeservedly well-liked Lights Out, does a good enough job orchestrating familiar horror cliches into playful tension.  Read More