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Talking with Alfonso Gómez Rejón of ME & EARL & THE DYING GIRL

Six months ago, Alfonso Gómez Rejón‘s stock was of Jordan Belfort’s penny list variety. He himself had to push it on people. And that’s exactly how he landed a gig directing the Sundance-winning, indie-record-breaking, standing-ovation-inducing Me & Earl & The Dying Girl [our review here]. Says Rejón, “I had to fight for the job…. It was torture.” But Rejón would gleefully admit that the painstaking process that got him from point A to point sitting behind that coveted director’s chair was one well worth it. After all, he’s gone from penny stock to Fortune 500 in one quick go. Read More