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Fantastically Dull ‘THE FANTASTIC FOUR: FIRST STEPS’ Miscalculates Introduction to First Family

The MCU is dead. The MCU is back. The MCU is dead. The MCU is back. Someone put a fork in it. She’s cooked. But just you wait until the next one! And on and on the content carousel spins. Even as someone who had gripes with the Marvel machine well before Endgame, I found myself tossing out more than a few positive reviews in that era. In fact, there was a time when I felt rather pot-committed to the whole enterprise, even when its storytelling got obnoxiously self-aggrandizing and interconnected. Post-Endgame, it’s mostly been a tragic slide into mediocrity with some blips of quality. A few titles have become the lone bright spots in an otherwise bleak Phase 4/5 wasteland. Meanwhile, Ant-Man: Quantumania, The Marvels, Thor: Love and Thunder, Eternals, Captain America: Brave New World, and Thunderbolts all earned a solid splat from my little corner of the internet. Now, with James Gunn’s DCU breathing heavily down Marvel’s neck and the franchise’s future hinging on two upcoming Avengers movies (featuring Robert Downey Jr. returning, but as Doctor Doom, for reasons not disclosed here), The Fantastic Four: First Steps from director Matt Shakman arrives with downright heroic expectations. Expectations that are promptly crushed under the weight of its own blandness.    Read More

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Overwhelming ‘WARFARE’ A Gonzo Descent into Garland’s Hellish Sandbox

Warfare, the immersive Iraq War survival thriller from Navy SEAL veteran and first-time filmmaker Ray Mendoza and co-writer/co-director Alex Garland, is a blisteringly intense procedural experience. On one hand, it’s an incredibly effective piece of transportive filmmaking, one that leans into both the numbing banality of war plans and its most barbaric excesses. Told through a real-time, boots-on-the-ground POV, the film drops us alongside a platoon of Navy SEALs tasked with infiltrating a seemingly innocuous position and establishing a sniper nest. That’s all the context we’re given. No grander mission, no tie-in to some greater geopolitical scaffolding. Just a squad, a target, and a whole lot of code words. Which may very well be the point: a war without meaning, with boys playing at war. Read More

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Disappointing ‘GLADIATOR II’ Offers Bread and Circus

When civilization is on the brink of collapse, proffer bread and circus. The entire spectacle of Roman gladiatorial battles was perhaps history’s most extravagant example of distracting the hoi polloi with empty spectacle as the structural integrity of their civilization collapsed around them. At least until the end-stage capitalistic United States came along. So long as bellies are full and minds are lulled by materially empty entertainment, the masses remain appeased. Nearly two millennia later, we very much live in an age of bread and circus (thanks a lot Captain America), and that’s exactly what Ridley Scott offers with his long-awaited sequel, Gladiator II – a film that, despite its supreme spectacle, feels calorically empty and narratively unsatisfying. Read More

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Effective ‘A QUIET PLACE: DAY ONE’ Expands Franchise Through Renewed Intimacy

If you’re going to have a movie that’s basically 90% a silent film, you can’t do much better than casting the venerable Lupita Nyong’o in the starring role. The Academy Award nominee has the ability to absolutely command the screen with her physicality, combining her incredibly expressive eyes and ticcy body language, and her strengths prove a perfect fit for the very particular demands of the Quiet Place universe. The Academy has often overlooked horror performances, but awards recognition or not, Nyong’o is offering next-level genre work in the dramatically effective and true-to-its-roots prequel A Quiet Place: Day One. Read More