Once you pop you just can’t stop. Or so goes the philosophy of the Joe and Anthony Russo when it comes to telling the story of a college-drop-out turned bank-robbing, dope-addicted war vet in Cherry. The directorial pair who rose to the highest of box office heights helming a handful of Marvel’s most critical and commercial smashes (including the last two Avengers mega-hits) prove uneasy with actual drama. Their telling of Nico Walker’s semi-autobiographical best-seller of the same name – adapted in part by screenwriters Angela Russo-Otstot and Jessica Goldberg, is meandering and unjustifiable long-winded.  Read More