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‘THE BIKERIDERS’ A GRUFF MOTO-DRAMA ABOUT “COOL GUYS” AND “GOOD OLE TIMES”

Arkansas-born filmmaker Jeff Nichols has a way of channeling a certain kind of Americana onto the screen that few of his contemporaries are able to capture. There’s a very particular kind of grit and masculinity that defines a Nichol’s feature, with characters experiencing gnawing heartache and an often overbearing patriarchal sense of responsibility, despite often being on the fringes of society, manic or mad to many outsiders looking in. This is as true in Take Shelter and Mud—both about ‘crazed’ outsiders—as it is in Loving and Midnight Special, the former depicting Richard and Mildred Loving’s arrest for their interracial marriage in 1960s Virginia, and the latter a sci-fi drama about a father protecting his ‘powered’ son at all costs. Read More

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Out in Theaters: ‘LOVING’

There is much to respect and admire about what Jeff Nichols has done with Loving. However its incredibly restrained tactics and slow as molasses narrative kept it at a bit of an arms length for me emotionally. But Nicols’ methodology is no mistake. Loving purposefully emulates its subjects – Richard and Mildred Loving, both of whom are played to quiet perfection by Joel Edgerton and Ruth Negga – an interracial couple who accidentally change the course of post-Jim Crow American history when they become embroiled in a critical constitutional law case. Read More

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Talking With Jeff Nichols of ‘MIDNIGHT SPECIAL’

Director Jeff Nichols faces his biggest obstacle yet this upcoming weekend: the general public. Reviews for his fourth feature film have been largely favorable so far, with a very warm SXSW debut reception, but Midnight Special launches the Arkansas filmmaker into the spotlight in a big way. With a considerable marketing push behind it and general critical support (the film is “certified fresh” at a lofty 86% on Rotten Tomatoes as of writing this), the cards look good for Nichols’ biggest picture yet. Read More

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Out in Theaters: ‘MIDNIGHT SPECIAL’

Jeff Nichols is very quickly solidifying himself as a distinct and essential American voice. The 37-year old Arkansas native blends the mystic nostalgia of Steven Spielberg’s great wonders with the romanticized bayou lyricism of a Mark Twain novel. The result is often staggering,  the heavy, heady crossroads of lock stock ultra violence and meaningfully sentimental morality plays. In 2012, Nichols’ snaggle-toothed fable Mud sounded the starting gun for the McConaissance, just as he basically introduced the world to Michael Shannon as a leading man in 2011’s Take Shelter. More than just a emcee for introducing (or reintroducing) us to new or reinvigorated talent,  Nichols has emerged as a bold writer/director willing to take big risks and reap big rewards and Midnight Special, a work of great wonder and beauty, is blinding evidence of this fact. Read More

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SXSW ’16 Review: ‘MIDNIGHT SPECIAL’

Jeff Nichols is very quickly solidifying himself as a distinct and essential American voice. The 37-year old Arkansas native blends the mystic nostalgia of Steven Spielberg’s great wonders with the romanticized bayou lyricism of a Mark Twain novel. The result is often staggering,  the heavy, heady crossroads of lock stock ultra violence and meaningfully sentimental morality plays. In 2012, Nichols’ snaggle-toothed fable Mud sounded the starting gun for the McConaissance, just as he basically introduced the world to Michael Shannon as a leading man in 2011’s Take Shelter. More than just a emcee for introducing (or reintroducing) us to new or reinvigorated talent,  Nichols has emerged as a bold writer/director willing to take big risks and reap big rewards and Midnight Special, a work of great wonder and beauty, is blinding evidence of this fact. Read More