post

‘HOW TO MAKE A KILLING’ Is Slick Nihilism That Never Quite Gels

After being cast out from his billionaire family for the sin of being born from a working class father, average joe Beckett Redfellow (Glen Powell) decides the only logical solution is to murder his entire clan and reclaim the inheritance denied to him. Writer-director John Patton Ford, following up his auspicious Aubrey Plaza starring debut Emily the Criminal, fails to recapture that film’s scrappy, pedestrian angst. While his first film understood the slow moral erosion of someone trying to survive in a culture that worships status and money above all else, How to Make a Killing is a slick, nihilistic crime caper that is easy enough to watch but has almost nothing going on beneath its lacquered surface. It feels less like a director building on his foundation and more like one spinning his wheels in expensive tires. Read More

post

50+ Most Anticipated Movies of 2026

With 2025 just about in the rearview window, tis the moment to take stock of what worked in 2025 before turning ahead to the most anticipated movies of 2026. As usual, the films I responded to most last year weren’t those trying to be agreeable or broad or endlessly franchisable. They were specific, abrasive, messy, and always driven by a strong sense of autership. Horror continued to be the most reliable space for ambition and risk, but plenty of dramas and genre hybrids landed too, largely when they championed mood, performance, and uncomfortable ideas over traditional polish. Even in a year where the industry still felt unsettled, some genuinely great films cut through. And though 2025 on a whole was a bit of a letdown here holistically, it featured some of the very best movies of the entire decade. Let us hope too that 2026 manages to deliver some true uncut gems.

Read More