A midnight masterstroke of paranoia and syngenesophobia, Goodnight Mommy toys with the brittle psyches of a nuclear family like a child toasting ants with his magnifying glass. Tensions reach a fever-pitch as roguish twins, suspecting their mother fresh home from cosmetic surgery is not who she claims to be, decide to launch all-out warfare. The ensuing chronicling of domestic distrust is taken to fiery extremes; the fallout will no doubt prove hard to bear for some viewers – both for its graphic depictions of violence and for the film’s deliberate pacing – but those willing to wait it out are in store for a nasty slice of psychological horror pie.
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A midnight masterstroke of paranoia and syngenesophobia, Goodnight Mommy toys with the brittle psyches of a nuclear family like a child toasting ants with his magnifying glass. Tensions reach a fever-pitch as roguish twins, suspecting their mother fresh home from cosmetic surgery is not who she claims to be, decide to launch all-out warfare. The ensuing chronicling of domestic distrust is taken to fiery extremes; the fallout will no doubt prove hard to bear for some viewers – both for its graphic depictions of violence and for the film’s deliberate pacing – but those willing to wait it out are in store for a nasty slice of psychological horror pie.
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Out in Theaters: ‘COOTIES’
Cooties is Children of the Corn by way of Daddy Day Care. A tactless, haphazardly unfunny, totally DOA clunker, horror-comedy Cooties is the brainchild of “that guy” Leigh Whannell (of the Insidious and Saw franchises) and a severely handicapped brainchild it is. Read More
The Deepest Cuts: ‘I DRINK YOUR BLOOD’ (1970)
The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb, tickle, or generally blow your mind.
True surprises are rare for the horror aficionado, but every once in a great while, a film comes along that shows you that they really can do more and go further. I Drink Your Blood is just one of these films. It’s a totally batshit, schlocky masterpiece that must be seen to be believed.
The Deepest Cuts: ‘SHIVERS’ (1975)
The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb, tickle, or generally blow your mind.
One of the threads running through horror history is that of the intellectual or artistically-minded auteur who turns away from their earliest works, claiming to always have wanted to do other work. Wes Craven is perhaps the prime example of this, whose bitterness toward the genre was always palpable in Q&As; one of his peers, David Cronenberg, similarly avoids discussion of his first films. However, his debut feature, Shivers, like that of Craven (The Last House on the Left), is a fantastic entry in the genre – and it features a parasite that is both fecal and phallic. Clearly, it’s a must-see.
Portland Film Festival Review: ‘DEEP DARK’
Be Careful What You Wish For
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How Far Would You Go For Art?
Michael Medaglia’s fantasy/horror/comedy mindscrew Deep Dark updates the classic Monkey’s Paw trope, investigating the source and meaning of real art in the meantime. Have you ever experienced writer’s block? Felt like you had something to say, but just couldn’t quite find the words? Have you ever wanted something so bad you can taste it in the back of your throat? Read More
The Deepest Cuts: DEADLY FRIEND (1986)
The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb, tickle, or generally blow your mind.
In honor of the now-late, inarguably great Wes Craven, let’s get into one of his films that even longtime fans of Craven are often unaware of: Deadly Friend. The film is a unique mixture of after-school-special and science fiction, with a little splash of gore mixed in – a one-of-a-kind film for the true Craven connoisseur.
Wes Craven: Horror High and Low
Wes Craven (1939-2015) was famous to horror fans and general cinephiles alike for popular, well-made horror films like A Nightmare on Elm Street and Scream, both of which achieved broad critical and financial success. His films’ popularity can be attributed to their effective scares and original imagery, but they also often share a real depth of conceptual underpinning. Many of Cravens’ fans may not know that he held a Master’s degree in Philosophy and Writing and taught as a Humanities professor before embarking on his filmmaking career, and that this background contributed significantly to many of his films. Read More
The Deepest Cuts: DEMONS (1985)
The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb, tickle, or generally blow your mind.
Where else should Nostradamus’ predicted “coming of the demons” begin than in a creepy old movie theater full of misogynists, racist stereotypes, a blind man, and a weirdly mysterious redhead wearing a Peter-Pan-esque dress? With this set-up, an amazing soundtrack and loads of fantastic gore, it should be obvious that Demons is a definite must-see.
Out in Theaters: TURBO KID
*This is a reprint of our 2015 SXSW review.
This is the future. Bicycles remain the only mode of transport and they scream down rubble road decorated with human skulls, past junk yards littered with bits and bobs of discarded robots and towards the odd outskirts ripe for plundering. The land is overrun with masked miscreants of a steam-punk Road Warrior meets Jason Voorhees variety picking through the remains of a scrapyard Earth. The leader of the bicycled clan, a nefarious crime boss known as Zeus (Michael Ironside), has concocted a way to transform humans into water – now the world’s most precious resource. This is 1997. Read More