“I don’t like the way things are. It’s horrible.” Little did Vivarium screenwriter Garret Shanley know how piercing this sentiment might be when his film about a couple forced into seclusion was released. No one could have predicted that in the midst of the film’s rollout, the world over would be forced into mandated seclusion. Schools shuttered. Concerts, political rallies, and festivals pinched off. Everyone shut into their whatever square footage their budget affords. At least Jesse Eisenberg’s Tom and Imogen Poots’ Gemma have access to toilet paper. Read More