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‘DON’T WORRY DARLING’ Caught Between Sexy Paranoid Thriller and MAGA Utopia

Make America Great Again

Don’t Worry Darling reminds me of the controversial John Lennon song “Women is the N***** of the World”. The 1972 single is agitprop at its most blatant, employing the titular racial epithet as a means of offensive, highly-loaded language to unsettle, upset, agitate, and shock the listener into embracing the parallel Lennon and Yoko Ono are drawing. Much like director Olivia Wilde (Booksmart) in her sophomore film which, in keeping with the art of exploitation, uses the provocative images of women self harming, receiving electro-shock therapy, and just generally being told they’re being crazy. The meaning of Lennon’s homology is lost on none who listen, equating worldwide sexism with American racism, challenging the global problem of subjugation and control with regards to gender politics. It’s a demanding song, and hard to love for many reasons, but it sticks with you. The problem with Don’t Worry Darling is that at some point in the midst of the film, shock turns to shlock. The challenging Lennon refrain fades, replaced, almost without any explanation, with the more familiar ballad of Beyoncé’s girl power anthem “Run the World”.  Read More