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‘THE LEGEND OF OCHI’ a Technically Impressive but Familiar A24 Fable

The Legend of Ochi harks back to an earlier era of children’s cinema. Set in the not-quite-magical, not-quite-real world of Carpathia—where mythical bipedal creatures roam the mossy forests, but stick-shift cars and terrestrial radio also exist—writer-director Isaiah Saxon crafts a vibe-heavy feature in which the all-natural landscapes and often jaw-dropping creature design take center stage. Tell me if you’ve heard this one before: a young girl bonds with a mysterious creature and sets out to return it home. It’s a story we’ve seen dozens of times, though few recent iterations arrive with this level of craft. It’s a film equally indebted to the works of Steven Spielberg and Wes Anderson, though it lacks the signature touch that gives those directors’ films such vivid life and clear sense of purpose.   Read More

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Stunningly Mounted ‘1917’ A Towering Technical Achievement 

Just when you think that there is no new angle for a war movie, English tag-team director Sam Mendes and cinematographer Roger Deakins come and shake the whole thing up. Deakins, who has shot such remarkable-looking films as Blade Runner 2049, Fargo, Skyfall, Sicario, The Assassination of Jesse James by the Coward Robert Ford, and No Country for Old Men among literal countless others, commands the aura of a film in a way that few other cinematographers can and paired with Mendes’ seamless one-take presentation of this WWI epic, 1917 amounts to a striking piece of capital C cinema, and one that presents a unique ground-level take on war. Set against countless wowing technical merits, the WWI epic recounts a powerful personal journey through a hellish war-scape that will leave audiences gasping for breath. Read More