post

Out in Theaters: ‘WARCRAFT’

Warcraft, the uber-geeky, crazy-spendy passion project/live-action shart from director Duncan Jones (Moon, Source Code) attempts to capitalize on a prodigious worldwide fandom by kowtowing to the nerdy needs of message board trolls and Mountain Dew guzzlers. In bending the knee, the once-great auteur has log-jammed his feature with a waterfall of meaningless (at least to non-World-of-Warcraft-gamers) exposition, allowing for a marble-mouthed plot that’s so dense, so busy and so blundering, one can only shudder at the thought of the echo chamber of dorks responsible for letting this 160-million dollar turkey come to fruition. But their foul cinematic foal has come home to roost in all its Avian-diseased glory and the symphony of ill-timed laughs and exasperated sighs shall serve as unbiased representation of what is in store for Warcraft viewers. Reckless fan servicing, harebrained plot devices and dramatically empty characterization all mash their meaty skulls to render a film that’s entirely inaccessible and subsequently snoozy as all hell for anyone without extreme existing affinity for the source material, making Warcraft, in effect, the world’s most expensive sleep aid. Read More

post

Out in Theaters: ‘IN THE HEART OF THE SEA’

Chris Hemsworth was a rare find for Thor because he seems like a man beamed out of another dimension. The lacy lexicon of Marvel’s quasi-Shakespearean tragedy boasts Hemsworth’s Australian-cum-Nobleman accent, one with an ethereally hard-to-place, far, far away quality to it. When Hemsworth is smashed down to Earth and asked to perform New England for Ron Howard’s not-quite-Moby-Dick Moby Dick story he musters a punishing take on a Nantucket accent that turns the r’s in ah’s (that is when he remembers he’s supposed to be mussing up his voice at all.) Read More