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Liam Neeson Wields a New Particular Set of Skills in ‘THE NAKED GUN’

Over 30 years after The Naked Gun 33⅓, a risky comic resurrection is now playing at your local theater. In an age of genre-bending comedy hybrids (see The Fall Guy, meh) and niche, catered offerings (see Friendship, loved), the traditional studio comedy has basically vanished. What used to be a regular fixture at the cineplex is now nearly extinct. The new Naked Gun isn’t just trying to revive that format; it’s a full-on throwback to a time when comedies weren’t afraid to be stupid, loud, and singularly focused on laughs. And while this movie is definitely all of those things, it’s also just plain funny. That Liam Neeson, now tragically deep into his post-Taken run of stoic, violent men with a particular set of skills, is anchoring one of the most laugh-dense movies in years feels like a joke in itself. But somehow, it lands. Read More

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Out in Theaters: ‘POPSTAR: NEVER STOP NEVER STOPPING’

It was 2003 when I first stumbled across the The Lonely Island. Their rib-tickling send-up of soapy MTV teen dramas ‘The Bu’ played top billing on Channel 101, an off-color, online shorts fest where hungry filmmakers featured their work gratis for weirdos like myself to ingest. Credit Frazzles the Squirrel (and his unfaltering demand for removing and reapplying one’s 3D glasses) for inviting those curious few to investigate these Lonely Island boys down a certifiable rabbit hole of YouTube oddities starring Andy Samberg, Jorma Taccone, and Akiva Schaffer. Preeminently awkward shorts from the Lonely Island trio included such deadpan standouts as ‘Just 2 Guyz” (later adapted into ‘We Like Sports’ for their 2009 album Incredibad), ‘The Backseatsman’ and ‘Ka-Blamo!’. After a momentous run on SNL that saw the three breach viral numbers with just about every digital short they dropped, Sandberg, Taccone and Schaffer have reunited for their second feature film, Popstar: Never Stop Never Stopping and have demonstrated that though their production value may be more refined and expensive than ever and their cameo catalogue infinitely more vast, their comedic stylings have adamantly refused to mature, a tendency which proves to be both a gift and a curse for The Lonely Island and their creative offspring.     Read More