Justin Benson and Aaron Scott Moorhead are a tactile duo, crafting thought-provoking, effects-driven, genre-defying features filled with big ideas on a micro-budget. Their last film, Spring, which can only be described as a “romantic body horror” and was a favorite for many who sought it out after its 2014 Toronto Film Festival debut, failed to find much of an audience among the general public but solidified the partnership, who had previously collaborated on 2012’s low-budge horror flick Resolution, as a pair for cinephile’s to keep a close eye on. Rather than pulling in the reins, the creative partners have gone even bigger with The Endless, a heady science-fiction-slash-horror—slash-cult-thriller-slash-sibling-drama that’s ambitious to a fault.  Read More