Bob Byington’s latest sparsely funny dark-comedy is a mannered step back from mainstream appeal. The Infinity Baby director follows a woman (Kaley Wheless, monotonous but arresting) who’s so dissatisfied with her marriage that she throws her life in the toilet by sleeping with a student. What follows is a quirky bureaucratic procedural from the POV of said sex offender that somewhat jumbles its satirical take on the monotony of punishment. At 74 minutes, it’s extremely slight and uses quirky “nomnipotent” narration from Nick Offerman to offer a sardonic birds-eye approach to storytelling. The characters’ apathy is reflected in Byington’s almost narcissistic touch, making his decidedly festival-circuit exclusive more niche than ever. (C+)
[READ MORE: Our enthusiastic review of Bob Byington’s ‘Infinity Baby’]
For other reviews, interviews, and featured articles, be sure to:
Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on Twitter
Follow Silver Screen Riot on Instagram
-
By: Matt Oakes
When not plugging away at his computer, Matt can be found holed up in his Seattle home or hidden amongst the mountains. Started blogging about film in college when the college paper wouldn’t have him. Watcher of far too many films annually. Horror nut. Regular attendee @ Sundance, SXSW, SIFF. Editor-in-chief of Silver Screen Riot.
-
-
‘ANORA’ A Blistering Anti-Romance That Only Sean Baker Could Make
‘CONCLAVE’ A Punchy Papal Political Thriller and One of the Best of the Year
Brutal Sequel ’SMILE 2’ Hosts The Curse of Celebrity
‘TERRIFIER 3’ Clowns Audiences With Depraved Slapstick Slashing
A24’s ‘WE LIVE IN TIME’ a Thoughtful Melodrama About Quality Time, With Strong Leads
