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FEAR THE WALKING DEAD “The Dog” Review

The action’s heating up, as three families in AMC’s Fear The Walking Dead leave this world behind, encroaching further into the iconic ruin of the Walker-infested wasteland.

“Civilization is like a thin layer of ice upon a deep ocean of chaos and darkness.” – Werner Herzog

 The most striking moment from an episode full of suspense, melodrama, and exploding heads was a quiet one. Travis Manawa (Cliff Curtis) and his first family, with another family, the Salazars, in the back of his pick-up, making his way to Madison’s (Kim Dickens) house. As the worried families drive in silence, the sprawling bejewelled nighttime carpet of Los Angeles is plunged into darkness, as the power outage takes hold and spreads.

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TIFF ’15 Review: ‘WOMEN HE’S UNDRESSED’

Women He’s Undressed, Gillian Armstrong’s new documentary about Hollywood costume designer Orry Kelly, opens over an unnaturally-saturated view of a blue sky, with a quote from actress Fanny Brice: “Let the world know who you are because sooner or later, if you are posing, you will forget the pose; then where will you be?” The stage is thus set for a bio-documentary that will reveal some hidden aspect of its subject, guaranteeing an interested viewer who will surely be surprised – and likely touched – by the revelation to come. Read More

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TIFF ’15 Review: ‘MAGALLANES’

Primary Peruvian exports include non-monetary gold powder, cooper ores, concentrates, cathodes and non-crude oil. You can now add to the list supremely compelling cinema as Magallanes, the product of first-time Peruvian director Salvador del Solar, is a true festival stunner. Soaked in a gleeful amount of real world suspense and intensified by rich dramatic character work from its apt principal cast, the slow-but-steady-building drama-thriller is a certifiable symphony of hard-won victories – both from a narrative and practical standpoint.   Read More

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DVD Review: ‘THE SEVEN FIVE’

Synopsis: In the late 1980s and early ‘90s Brooklyn, New York was the murder capital of America and ground zero for the crack cocaine epidemic. One man, Michael Dowd, led his crew on a rampage through the streets of East New York, robbing dope dealers at gunpoint, burglarizing homes and becoming involved in the biggest drug ring the city had seen. That man, and his cronies, were all police officers.  Labeled “The Dirtiest Cop Ever,” Dowd turned his department’s 75th precinct into a hotbed of corruption, both protecting and robbing drug dealers while lining his own pockets to the pointing of busting with cash and drugs. His arrest in 1992 led to the largest police corruption scandal in NYC history.” Read More

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TIFF ’15 Review: ‘DER NACHTMAHR’ (The Nightmare)

If you wiggle a pencil fast enough, it appears soft. Rubbery. Made of flesh. It’s only when you reach out and touch the pencil that you realize it’s made of hard wood. In a film, we cannot reach out, we cannot exert force or physical contact, so we rely on cues that the filmmaker plants within the picture; clues that help us distinguish the realm of the real from that of the imaginary. Der Nachtmahr  (The Nightmare) is an exercise in distinguishing the real from the imagined through the lens of what is essentially ET’s aborted fetus. Read More

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Talking With Leslye Headland of ‘SLEEPING WITH OTHER PEOPLE’

Lesyle Headland couldn’t give a lumpy shit what bad things you have to say about female directors and she won’t stop herself from telling you so. The verbose talent provided some nasty good times when we sat down to discuss her latest film, the truly hysterical Sleeping With Other People [review here]. Leslye proved not only the most crass interview we’ve sat down to but also one of the most candid. We talk being a female director in a male world (with lion and lioness allegories), the film’s infamous bottle scene, her favorite scene that she cut from the film, casting Jason Sudeikis and Alison Brie, crying on set, the misnomer of improvisation, the shift from Bachelorette , movie references and what you would find in her VHS Blu-Ray player. Read More

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Out in Theaters: ‘SLEEPING WITH OTHER PEOPLE’

*This is a reprint of our 2015 Sundance review

Leslye Headland arrived on the cinematic scene in a roundabout kind of way. Her debut film Bachelorette divided audiences – Reelview’s James Berardinelli gave it zero stars and labeled it “the worst movie of 2012” (we gave it a soaring review) – though it’s gone on to achieve a quiet cult status. Originally written as a screenplay then adapted for the stage, her raunchy theatrical production was discovered, altered back into movie form and green lit with an inspired cast (Kirsten Dunst, Lizzy Caplan, Isla Fisher, Rebel Wilson.) The outcome was a lewd female Hangover bursting with genuine laughs. In 2013, Headland got back on the horse for a new project, one that she just described as “When Harry Met Sally with assholes.” And so came Sleeping With Other People, a satirically formulaic though gravely side-splitting whooper. Read More

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Out in Theaters: ‘THE BEAUTY INSIDE’

Categories are powerful. If I were to classify this film as a “romantic comedy” at this point in the review, a substantial portion of potential viewers will have dismissed the idea of going to see it by the end of this sentence. Our hard-wired categorization processes simultaneously serve as the lighthouse and blind spot of all facets of decision-making. The Beauty Inside half-heartedly sets out to explore this complex aspect of cognitive function in the context of romantic relationships. It tracks the life and love of protagonist Woo-Jin, a 29 year-old man with a highly unorthodox affliction: He is devoid of all social categories because his race, age, and gender changes every time he falls asleep. Read More

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Out in Theaters: ‘THE VISIT’

I could spend the bulk of this review talking about the precipitous rise and fall of M. Night Shyamalan. I could praise The Sixth Sense and Unbroken, give small credit to Signs and even portions of The Village and bury later “horror” duds like Lady in the Water and The Happening. I could extend a wilted rose towards the cinematic sharts that were The Last Airbender and After Earth but what’s the fun in that? After all, we’re no longer celebrating a funeral so much as a man’s comeback, because make no mistake The Visit is a comeback and a pretty damn entertaining one at that. Read More

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The Deepest Cuts: ‘SHIVERS’ (1975)

The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb, tickle, or generally blow your mind.

One of the threads running through horror history is that of the intellectual or artistically-minded auteur who turns away from their earliest works, claiming to always have wanted to do other work. Wes Craven is perhaps the prime example of this, whose bitterness toward the genre was always palpable in Q&As; one of his peers, David Cronenberg, similarly avoids discussion of his first films. However, his debut feature, Shivers, like that of Craven (The Last House on the Left), is a fantastic entry in the genre – and it features a parasite that is both fecal and phallic. Clearly, it’s a must-see.

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