Film Reviews, Interviews and Articles
With the 2016 Sundance International Film Festival right around the corner, the Sundance Institute has revealed all its in-competition films including selections from their U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition, World Cinema Documentary Competition and their featured NEXT competition for emerging filmmakers. Have a look through the list to find standouts in a year that looks surprisingly slim on them. Read More
Evie hiding out in a silver airstream trailer still doesn’t explain the empty lake. Unless, Meg’s Guilty Remnant faction possesses state of the art geotechnology. Even if, it’s still easier to plan the demolition of a bridge—eliminating a symbolic path to righteousness or bridge to eternal life. Ten Thirteen is a well-cued turn of events and much-needed stage time for the nihilistic saints, which so far have motivated only turncoats and provided a reason to get all the main characters into Texas. The GR’s staging Evie’s disappearance reinforces their agenda “reminding” society of life’s absurdity that trying to connect Evie’s departure to the missing water is a futile rational exercise once they expose her. Read More
Sleigh bells be damned. All we want for Christmas is movies! With cold weather driving us indoors and holidays meaning family time galore – which in turns means escape from family time galore – the movie theater becomes a quiet solace in which to bask in the creativity of other people. We’re cut through the stacks of Holiday offerings to give you the 10 December films we positively cannot wait for. Amongst them are big (and we mean big) blockbusters, a few little indie flicks, an adult stop-motion drama, new films from Alejandro González Iñárritu, David O. Russell and Quentin Tarantino and even a holiday horror for the scary movie fans. And of course, Star Wars. If all of them are as good as we’re hoping, it’ll be a Christmas miracle.
Semi-charmed The Good Dinosaur is slight Pixar but nonetheless a small triumph of wonder and good-nature. Its lack of the distinct creativity that so often characterizes Pixar’s products is overshadowed by a big heart and a resplendent aesthetic palette. Even though the narrative is admittedly quaint, thinly plotted and largely derivative (The Good Dinosaur is essentially a mild repackaging of The Lion King), the overwhelming sense of goodness emanating from the center of Pixar’s 16th feature film had it strike poignant blows at my admittedly exposed softer spots. As Pixar is known to do. Read More
Marvel has enjoyed an uncharted rise in popularity since setting things off with Iron Man in 2008. Seven years and 12 films later and their success has changed the landscape of film franchises. World building is now a common phrase around Hollywood boardrooms with more and more properties attempting to hop on the bandwagon that propelled The Avengers to becoming the third (now fourth to Jurassic World) highest grossing film of all time. But as other studios are rushing to assemble their superteams, Marvel is set to break theirs down with Captain America: Civil War. Read More
There was never any hope that Victor Frankenstein, the latest in a string of hastily-produced re-imaginings of royalty free properties, would garner much critical acclaim, which meant that in order for it to have any real box office potency, it would need to play a very specific game of kowtowing to fans of this somewhat still existent genre. Look no further than the (relative) success of the Resident Evil movies to get an idea of what that should look like: buttloads of glossy, second-rate CGI, neck-break action that doesn’t usually feel the need to stop to think, limitless kills with limited blood. It’s no so much a formula for success so much as it is a formula for not failing miserably. Read More
Purgatory as a hotel makes sense in The Leftovers because it’s a transient place where souls are coming and departing. Kevin is stuck in a Hilton version of Hotel California without the pink champagne and colitas but where water erases former identities prepping new tabula rasa souls for the next life to come. But it also serves as a recognizable plot device seen in other shows such as the “Sopranos,” “Mad Men,” and “Boardwalk Empire” to name a few, when characters need a reality check usually framed within some sort of alternate sphere. They inhabit another life role as a reflection of their current one. But faith versus empiricism or spirituality versus cognition continue to dual in The Leftovers, setting up Kevin (Justin Theroux) with an introspective nightmare—staged as a spiritual trial or psychological dream? Let’s just call it a perga-dream. But it still sets him up in a world where he still possesses free will. Read More
Synopsis: “American businessman Jack Dwyer (Owen Wilson), wife Annie (Lake Bell) and their two young daughters arrive in Southeast Asia to begin a new life. As his company plans to improve the region’s water quality, the family quickly learns that they’re right in the middle of a political uprising. Armed rebels attack the hotel where they’re staying, ordered to kill any foreigners that they encounter. Amid utter chaos, Jack must find a way to save himself and his loved ones from the violence erupting all around them.” Read More
The Rocky series has a long and storied history that I will cautiously admit that I’m not too familiar with. I know Dolph Lundgren played a Russian adversary at the height of the Gorbachev-era Cold War. Sylvester Stallone’s wolf-like howl for Adrian after his first heavy-weight fight is as burned into my eardrums as Marlon Brando’s wailing “Stella!!!” in the sleepy French Quarter streets. The poster-worthy shot of Rocky’s fists pumped victorious above his head atop the Philadelphia Museum of Arts stairs (today known as the “Rocky Steps”) is as iconic to me as Sgt. Elias’ Hail Mary death throes in Platoon. I know the name Apollo Creed and have a vague recollection of his relative importance within the Rocky franchise but I couldn’t tell you much aside from the fact that he was played by Carl Weathers at the height of his beefiness and that he died in the ring. That is to say, I know the iconography of Rocky, but very little else. Read More
Bryan Cranston is a treasure. Don’t forget that fact. As blacklisted Hollywood screenwriter Dalton Trumbo, he whirls his cigarette (like him, a captive in an ornate holder), sitting in still bathwater, raving about the inadequacies of American political structures in that manic brilliance that he so finely honed playing Walter White. That Trumbo is the brand of all-inclusive biopic that’ll leave you pining for less is disappointing but it doesn’t discount Cranston leading man prowess or make his performance any less tasty. Read More