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TRUE DETECTIVE Season 2 Episode 3 Review “Maybe Tomorrow”

The Conway Twitty impersonator lip syncing “The Rose” deified by the David Lynchian purple blue nebula, may superficially seem like a cheap dressed up redneck mind-fuck, Lone-Star laced with LSD, as season two intentionally commits a slow suicide into the oblivious junkyard of one-hit wonders; not to mention the trippy and densely codified dialog between Velcoro  (Colin Farrell) and his father. But it challenges the audience to lift its eyelids and contemplate a different and deeper sphere of influence. The ditty “The Rose” defines love as a flower, which grows with courage into spring with little sunlight through the bleak winter or, in other words, an endless trial–the song is about change. Read More

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Netfix: 7 Freedomlicious Action Movies to Watch on July 4th

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The great thing about Netflix is that it gives you a lot of TV and movie watching options. The bad thing about Netflix is that it gives you…a lot of TV and movie watching options. So many that it can be overwhelming. I’d guess around ninety percent of our time spent on Netflix is scrolling through thousands of movies and TV shows, before finally deciding on something three hours after you’ve first logged on. The aim of this column is to provide easily accessible Netflix suggestions based on a different focal point each week. Read More

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The Deepest Cuts: THE HONEYMOON KILLERS (1969)

The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb, tickle, or generally blow your mind.

Honeymoon Killers 3

“The incredibly shocking drama you are about to see is perhaps the most bizarre episode in the annals of American crime. The unbelievable events depicted are based on newspaper accounts and court records. This is a true story.”

The solemnity of this opening title card suggests that the ensuing film will be serious – a true crime exposé, an episode of 60 Minutes. Do not be misled. Premiering in 1969, at the beginning of the New Hollywood era, in which independent, international, and schlock (from the likes of American International Pictures) films were emerging as a critical force in the world of cinema, The Honeymoon Killers is hardly a news-channel-appropriate treatment. Shot in the stark black and white of the era’s arthouse films and starring soon-to-be cult-movie stars Shirley Stoler and Tony Lo Bianco (in their first onscreen roles), it’s a compulsively watchable, disturbing combination of devastating violence and dark comedy.
Read More

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2015 Indie Summer Release Guide

While this summer has been thoroughly epic with the release of Jurassic World, Magic Mike: XXL and Mad Max: Fury Road, let us not forget our humble independent cinema either going straight to VOD or perhaps gracing arthouse cinemas this summer. It’s a strong season for independent film, with new releases from indie champs James Ponsoldt (The End of the Tour) and Noah Baumbach (Mistress America) as well as a few directing debuts by Marielle Heller (The Diary of a Teenage Girland Sarah Adina Smith (Midnight Swim). Get your fill of indie cinema below with a gateway guide. Read More

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Out in Theaters: TERMINATOR: GENISYS

Terminator: Genisys, or How to Waste 170 Million Dollars, is a righteously obsolete sequel; a feckless manure cache more dedicated to nostalgia as computer animated gimmick, patchy, gravity-ignorant FX and slinky-esque “gotcha!” twists than little things like plot, internal consistency and character development. To call Terminator: Not a Word a failure would be to acknowledge that it even tried to succeed in the first place. And let’s be honest here, Terminator 5 tried not. Read More

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Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Four – Memorable Quotes)

WesVsDick4
Wes Anderson
and Richard Linklater –prominent writer/directors, Texas natives (both have roots in Houston) and coincidentally my two favorite humans. Their latest films were nominated for Best Motion Picture this year and, delving further, their careers have evolved at very similar rates, humbly paving the quaint dirt road that was the indie film scene in the ‘90s with
Slacker and Bottle Rocket. Onward, they transitioned to tastemakers, acquiring cult followings with Dazed and Confused and The Royal Tenenbaums. With each film Anderson and Linklater make, their toolbox gets a little bigger without compromising their eclectic and pridefully offbeat styles, one vastly different from the other, yet hauntingly similar. Which leads to the question, who does it better?

Wes Anderson’s oh-so-deadpan characters spout off some wise, sometimes just straight up madcap tidings, whereas Linklater’s characters go for the gold with philosophical revelations even too deep for Tiny Buddha, and one-liners that end up on t-shirts. Let’s compare the two directors’ most memorable quotes.

Battle 4: Memorable Quotes

Round One:

Swordsasda

“That’s what I love about these high school girls, man. I get older, they stay the same age.”
Linklater – Dazed and Confused

“Why would a reviewer make the point of saying someone’s *not* a genius? Do you especially think I’m *not* a genius? You didn’t even have to think about it, did you?”
Anderson – The Royal Tenenbaums

In Dazed and Confused, David Wooderson is a grown-up loser who still hangs out with high school kids. In The Royal Tenenbaums, Eli is a self-absorbed author of western books and also an endearing stalker who hangs out in closets wearing only his underwear. His prose is truly hilarious, as we discover when he reads an excerpt at a press conference: “And they rode on in the friscalating dusklight . . .” Both memorable characters, but Wooderson’s wacky wisdom lives on forever in frat houses across the world.

Winner: Linklater/ Dazed and Confused

Round Two:

ElectricGuitarfish

“I have been touched by your kids… and I’m pretty sure that I’ve touched them.”
Linklater – School of Rock
“I’ve never seen so many electric jellyfish in all my life!”
Anderson – The Life Aquatic

Both School of Rock and The Life Aquatic with Steve Zissou have ample amounts of hilarious, memorable quotes. Nothing beats that awkward moment at the parent-teacher conference when Dewey Finn says that perverted quote without even realizing. Ned Plimpton, in his nasally, southern accent-y voice, declares his quotes in a state of enamored fascination. Quotability, in my opinion, is based on if you can shout an obscure quote at a dinner party totally out of context and have people laugh, rather than stare are you questioningly.

Winner: Anderson/ The Life Aquatic

Round Three:

MaxFishcering

“You know how everyone’s always saying seize the moment? I don’t know, I’m kind of thinking it’s the other way around, you know, like the moment seizes us.”
Linklater – Boyhood

“I saved Latin. What did you ever do?”
Anderson – Rushmore

Linklater’s most recent coming of age opus Boyhood is ripe with wisdom and heartfelt realizations. So is Anderson’s Rushmore, which follows a confused kid as he gets caught up in an obsession with a teacher at his school. I could be biased here, since I’ve been quoting Rushmore avidly for years, but there is just so much angst-filled honesty in Max Fischer, such vulnerable truth.

Winner: Anderson/ Rushmore

Subjective Winner: Wes Anderson’s Quotes are Better

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Join us next week for the next Wes/Dick showdown and check out prior segments:

Battle #1: Reuse of Actors
Battle #2: Locations
Battle #3: Music

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A Century of Skin: Nudity’s Eruption into American Cinema

With Magic Mike XXL (our review here), America’s favorite male stripper sequel, hitting theaters on July 1st, we break down just how nudity has become so ingratiated with American cinematic norms. From the barely provocative titillation of the late 1800s (mmmm, ankles) to Channing Tatum wagging his shtick (sadly, not in 3D), we ask how we’ve come so far and wonder how hard the journey has been.

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Nudity has been a part of American cinema for over a century. When motion picture cameras were invented, they were immediately used to film people taking off their clothes. Many early films featuring male and female nudity have been completely lost. Early films with nudity were destroyed or censored. More often, like other films of this era, early films with nudity simply chemically disintegrated over time. Read More

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Out in Theaters: MAGIC MIKE XXL

In 2012, Steven Soderbergh accomplished the impossible by making audiences – made up of various chromosome compositions – fall in love with a ragtag scrap of male strippers. Magic Mike not only dominated the box office – netting north of 113 million dollars domestically on a 7 million dollar production budget – but won the hearts and minds of critics, who rewarded the film with a 80% Rotten Tomato score. All signs pointed swiftly towards the birth of a new franchise centered around denuding men with real world issues. Women (and some men) rejoiced; ’twas raining men. Read More

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TRUE DETECTIVE Season 2 Episode 2 Review “Night Finds You”

The town of DaVinci looks like it’s day, but it’s really night–in other words, it was born in the darkness as it tries for the light. The first scene’s cold tint hangs over like the pallor of a corpse–literally, as Semyon’s (Vince Vaughn) introspection match cuts to Caspere’s melted eyes. Semyon’s abuse story isn’t just significant as a character piece, it’s the unfolding of what’s to come. Read More