Out in Theaters: 6 YEARS
Emotionally raw though a dash melodramatic, Hannah Fidell's 6 Years is a bittersweet look at love and sacrifice at the ripe young age of 21. Fidell plants us at the…
REVIEW
REVIEW
Documentary Dossier: BEST OF ENEMIES
Best Of Enemies excels in its concept, execution, and timing. Educational though it may be, it's as enjoyable as it is thought provoking. I doubt that we’ll see a better…
REVIEW
Out in Theaters: MISTRESS AMERICA
All of Mistress America's silly-serious discourse adds up to a statement on how the youth of today is itself silly-serious - self-distracted, partially arrogant and full of hot air -…
REVIEW
Documentary Dossier: MERU
While it may not inspire too many non-climbers to scale some peaks, Meru gives us a glimpse into the real psyches and lifestyles of real mountain climbers, with minimal gloss. Serious aspiring…
REVIEW
Out in Theaters: FORT TILDEN
Cinematographer Brian Lannin makes good use of the rustic settings and concrete jungles, sun blasting the scenes when needed, adding an extra layer of disorientation and distress to the affairs.…
REVIEW
Out in Theaters: STRAIGHT OUTTA COMPTON
Though hip-hop biopics have largely been missed opportunities, Straight Outta Compton tells the story of N.W.A. with true purpose. An able cast, sweeping narrative and poignant directing from F. Gary…
REVIEW
Out in Theaters: COP CAR
Cop Car is a refreshing thriller devoted entirely to suspense and dark humor, with effective performances from a slim cast and stark violence that make for a particularly memorable experience.
REVIEW
Out in Theaters: THE MAN FROM U.N.C.L.E.
Style may trump substance in Guy Ritchie's latest effort but when the style is this decadent, the characters this effortlessly likable and the dialogue this deliciously smarmy, you'll still find…
REVIEW
Out in Theaters: PEOPLE, PLACES, THINGS
If there's anything holding People, Places, Things back it's how slight it all feels - another solid entry into the increasingly salient category of elevated rom-com. But we must credit Strouse…
REVIEW
Out in Theaters: THE BOY
Sparsely dominated by scenes of heavy exposition - or rather any dialogue at all - Macniell is able to catch the quiet moments; the death stares, the purposeless shambling, the…