This tame adaptation of the popular Playstation game series manages to strip the charm out of the franchise, due partially to poorly cast leads in Tom Holland and Mark Wahlberg,…
Kenneth Branagh's latest ho-hum potboiler benefits from an impressive cast - though he doesn't quite know what to do with them all - while unwinding a murder mystery that lacks…
A chaotic disaster epic marked by an impressive cast, laughable dialogue, and sometimes stellar special effects, 'Moonfall' is typical Roland Emmerich fare but lacking the consistent madness to make the…
'Jackass Forever' is the same stupid buffoonery that it's always been - and it's still just as scatologically funny.
An ooey, gooey suburban creature feature about motherhood and maintaining the illusion of perfection, Hatching expertly blends the weirder side of horror with a deeper message. Motherhood – at any age – requires great sacrifice. It’s often nasty, inglorious business. Hatching is not elevated horror. Nor is it shlock. Instead, this Finnish import about a...
Bradley Rust Gray’s unhurried drama may move too slowly for some viewers but richly-layered performances and tender direction yield a thoughtful and emotionally evocative study of the human heart. Carla…
Mimmi (Aamu Milonoff) and Rönkkö (Eleonoora Kauhanen) are Finnish High School students and ride-or-die best friends. In Alli Haapasalo’s Girl Picture, the inseparable duo attend school before working together at the mall where they hawk smoothies with names like “It Takes Two to Mango” or “Just Breathe”. On the clock, they dish about romantic trysts...
‘After Yang’ is a stunningly beautiful, emotionally yearning science-fiction drama about what it means to be family; and what it means to lose family. Grounded in emotional depth and philosophical…
When a red truck is left parked on her property, a public speaking professor inadvertently begins an escalating feud with two townie hunters. Based on the short story “Winter Light” by James Lee Burke, God’s Country is a frosty thriller about bad blood in the Alaskan backcountry where an attempt to be reasonable breaks down...
’Til distance do us part. Not death. These are the vows of the slave – or “domestic” – in Krystin Ver Linden’s Alice. But death may always interfere. And distance – through space and through time – proves to be but an illusion. Alice (Keke Palmer) is a slave. She wants for liberation, daring for...