Out in Theaters: MAD MAX: FURY ROAD
With as many twists and turns and reversals and goliath eruptions as Mad Max has, it’s hard to believe how it’s feasible to make a film this air-tight, undying and…
REVIEW
REVIEW
Out in Theaters: PITCH PERFECT 2
When all the solos has been spilled, the bass lines and trembly whimpers intoned and the proverbial dirt soiled with the vocal blood of defeated acapelists, Pitch Perfect 2 finishes…
REVIEW
Out in Theaters: FAR FROM THE MADDING CROWD
Vinterburg delivered a picture of staggering depth with The Hunt and unfortunately his vibrantly nuanced tendencies have all but disappeared here, like a children hiding beneath his mother’s dress. Though…
REVIEW
Out in Theaters: THE D TRAIN
When it finally comes to a halt, The D Train arrives in the station a thinly veiled assault allegory poorly masquerading as a comedy; a stupid and ugly mess that…
REVIEW
Out in Theaters: THE AVENGERS: AGE OF ULTRON
The Avengers: Age of Ultron, though single-serving entertainment sure to delight the masses, is a clumsy effort to consolidate stories that prove irreconcilable. With the MCU amoeba-ing into larger, stranger…
REVIEW
Out in Theaters: THE WATER DIVINER
Don't let its multiple AACTA Award wins and nominations fool you, the only thing The Water Diviner can divine is a good siesta.
REVIEW
Out in Theaters: UNFRIENDED
Director Levan Gabriadze works within some very risky restraints - like an orator with a ball gag - by limiting all onscreen action to the computer screen and the result…
REVIEW
Out in Theaters: TRUE STORY
You would think that the casting of such comedic icons would demand us to reinvent our perspective on the two high-profile jesters. That is just not the case. For a…
REVIEW
Out in Theaters: EX MACHINA
Brilliant tech work aligns with Garland's beautifully sour/smartly subversive writing/directing and Gleeson, Isaac and Vikander's low-broiling performances to create what can only be described as a neo sci-fi noir near-masterpiece.…
REVIEW
Out in Theaters: WHILE WE’RE YOUNG
Much of the success of the performances though rest with Baumbach's writing. While We're Young being a direct follow-up to Frances Ha, Baumbach has expanded on existing themes of unchecked…