Every Sundance review on Silver Screen Riot.
Last year, Patrick Brice showed up to SXSW with Creep. Devilishly crafty and expertly focused, it fell in with the usual suspects of found footage horror, even though it was so much more than just another point and shoot, “gotcha!” scare effort. The natural tension that Brice was able to tease out of a scene...
What do 1630, a silver cup, Christian fervor and a goat named Black Phillip have in common? The Witch. Unholy goodness through and through, Robert Egger‘s feature film debut is a horror masquerading as a costume drama that’s as beady, black and misshapen as the center of a goat’s eye. Beneath the dirt-stained, leather-bound waistcoats,...
To put a pin in the beauty of The End of the Tour is a philosophical venture potentially as challenging as James Ponsoldt‘s latest accomplishment. Detailing a three-day exchange between Rolling Stones journalist David Lipsky and rock star author David Foster Wallace, Ponsoldt’s film is talky and emotionally whirling, thick with dry-mouthed moments and cemented...